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What should I do next?

I am having a hard time deciding what I should do next, please help me decide.

The choices I have narrowed it down to are:
Demons-Imagine Dragons
I Bet My Life-Imagine Dragons
Believer-Imagine Dragons
Viva La Vida-Coldplay
The Greatest Show-The Greatest Showman
From Now On-The Greatest Showman
Dragonhearted-Tryhardninja & Captainsparkles

Post your thoughts as to which one I should do.

(Please make it easier for me, if someone has already put the song you want in the thought, just comment on that thought, thank you)

Erevan

Thanks

Thanks to all the new members for joining our banana party. There seem to be quite a few 'banana' composers here at musescore, whether ithe music is about the fruit banana or banana fish or banana fairies or whatever or if the music is just plain banana silly. Post your music, tell your friends. I even heard that some higher up in the government was thinking of joining since they have lots of experience in being completely bananas.

This group, I guess.

Wow, this group just went totally idle, so I decided to make discussion #85.

So next time you're in a group and it goes idle for about a week, make a discussion in memory of #85, I guess... (btw, if this actually happens to a group, the discussion number doesn't actually have to be discussion number 85, so don't spam just to get there, lol)

C minor sonata by Mozart for String Trio, Feedback

I am currently working on arranging some more Mozart sonatas, since Public Domain scores don't count towards my non-pro score total and unlike Beethoven sonatas that seem to get me overwhelmed, Mozart sonatas never do that. A few people suggested that I shrink the quartet into a trio in my K 545 arrangement to get a more full sound. I didn't though because save for the second movement, where I would have to do some harmonizations, I saw and heard 4 melodic voices, 2 per hand in the sonata. 

However, I did find a sonata that Mozart wrote 4 years before his K 545 sonata that I figured would be perfect for a trio arrangement, his Piano Sonata in C minor, another well known sonata of his. I noticed that the first movement tends to be where I get the most arrangement mistakes. A few of the triplet passages, I took up an octave to avoid the cellist having to do double duty. The violinist playing eighth notes over a sustained quarter note is one thing, The cellist having to do triplets while sustaining a whole note is a totally different story and is an impossible task. 

Thus, I took some of the triplet passages up an octave. The triplet passages that I took up an octave all involve a cascade from the violin to the viola before the cello becomes the solo instrument for a while. Except for these triplet passages that involve the instrument cascades, I kept everything in the original octave unless it got too low(which was rare) and then of course I would raise it by an octave to keep it in range. I missed a few slurs here and there, I will fix those in the second draft of the first movement arrangement. In the development section, I tended to have the  staccato figure in octaves because it was in octaves everywhere else. Even the Coda still had it in octaves, just scattered a bit.

Here is what I have arranged so far of the sonata:

https://musescore.com/user/50070/scores/5692897

Bars 1-185 are all the bars of the first movement. This is what I want feedback on. Are there any impossible double stops in there? Is there anything I can do about the dynamics to make it sound better? I would love some detailed feedback on what exactly I did wrong so that I can improve the first movement arrangement, and maybe have the entire second movement arranged at the same time(That did happen with K 545, I got feedback on the first movement, I improved the first movement and finished arranging the second movement at the same time). 

Birthdays

note some important birthdays coming up. Send some flowers or candy.

June is a big birthday month!
June 6 Aram Khachaturian
June 8 Robert Schumann
June 9 Cole Porter, James Newton Howard
June 12 Richard Strauss
June 15 Edvard Grieg
June 17 Igor Stravinsky
june 18 Richard Rodgers
June 20 Jacques Offenbach
June 21 Lalo Schifrin
June 29 Bernard Hermann

despising Musecore 3

There are days when I absolutely hate Musescore 3. Sure, it is nice that things get automatically spaced in the score so nothing overlaps, so wow gee wiz, uh, isn't that just how it should be? What I hate is that they seem to have gone out of their way to make things more difficult compared with Musescore 2. They seem to have randomly changed things that didn't need changing just to make it frustrating for the use. It used to be easy to change the volume of a single note or chord in a score. But now, once I finally figure out how to do it, Musescore manages to hide it from me so then I have to start all over trying to find out how to do it again. Why!!!? It used to be easy to see the note in inspector and then modify the volume, but now, where the blazing biscuits is it?? And why is it impossible to find in the manual? Ultimately, there is no advantage to Musescore 3 other than the spacing thing. So, I should do everything in Musescore 2 and then when it is ready to be put online, open it with Musescore 3. Just be sure to give it a different name because once you open it in Musescore 3, they won't let you go back to Musescore 2. Oh, no. Why would they make it **&&**& easy?!!!!! And I paid good money for this kind of frustration????????!