https://musescore.com/user/31782077/scores/5695001 A chamber piece... almost done...
I'm not a string player. Any feedback, especially concerning playability, is welcome and encouraged.
I am currently working on arranging some more Mozart sonatas, since Public Domain scores don't count towards my non-pro score total and unlike Beethoven sonatas that seem to get me overwhelmed, Mozart sonatas never do that. A few people suggested that I shrink the quartet into a trio in my K 545 arrangement to get a more full sound. I didn't though because save for the second movement, where I would have to do some harmonizations, I saw and heard 4 melodic voices, 2 per hand in the sonata.
However, I did find a sonata that Mozart wrote 4 years before his K 545 sonata that I figured would be perfect for a trio arrangement, his Piano Sonata in C minor, another well known sonata of his. I noticed that the first movement tends to be where I get the most arrangement mistakes. A few of the triplet passages, I took up an octave to avoid the cellist having to do double duty. The violinist playing eighth notes over a sustained quarter note is one thing, The cellist having to do triplets while sustaining a whole note is a totally different story and is an impossible task.
Thus, I took some of the triplet passages up an octave. The triplet passages that I took up an octave all involve a cascade from the violin to the viola before the cello becomes the solo instrument for a while. Except for these triplet passages that involve the instrument cascades, I kept everything in the original octave unless it got too low(which was rare) and then of course I would raise it by an octave to keep it in range. I missed a few slurs here and there, I will fix those in the second draft of the first movement arrangement. In the development section, I tended to have the staccato figure in octaves because it was in octaves everywhere else. Even the Coda still had it in octaves, just scattered a bit.
Here is what I have arranged so far of the sonata:
Bars 1-185 are all the bars of the first movement. This is what I want feedback on. Are there any impossible double stops in there? Is there anything I can do about the dynamics to make it sound better? I would love some detailed feedback on what exactly I did wrong so that I can improve the first movement arrangement, and maybe have the entire second movement arranged at the same time(That did happen with K 545, I got feedback on the first movement, I improved the first movement and finished arranging the second movement at the same time).
i play piano
note some important birthdays coming up. Send some flowers or candy.
June is a big birthday month!
June 6 Aram Khachaturian
June 8 Robert Schumann
June 9 Cole Porter, James Newton Howard
June 12 Richard Strauss
June 15 Edvard Grieg
June 17 Igor Stravinsky
june 18 Richard Rodgers
June 20 Jacques Offenbach
June 21 Lalo Schifrin
June 29 Bernard Hermann
There are days when I absolutely hate Musescore 3. Sure, it is nice that things get automatically spaced in the score so nothing overlaps, so wow gee wiz, uh, isn't that just how it should be? What I hate is that they seem to have gone out of their way to make things more difficult compared with Musescore 2. They seem to have randomly changed things that didn't need changing just to make it frustrating for the use. It used to be easy to change the volume of a single note or chord in a score. But now, once I finally figure out how to do it, Musescore manages to hide it from me so then I have to start all over trying to find out how to do it again. Why!!!? It used to be easy to see the note in inspector and then modify the volume, but now, where the blazing biscuits is it?? And why is it impossible to find in the manual? Ultimately, there is no advantage to Musescore 3 other than the spacing thing. So, I should do everything in Musescore 2 and then when it is ready to be put online, open it with Musescore 3. Just be sure to give it a different name because once you open it in Musescore 3, they won't let you go back to Musescore 2. Oh, no. Why would they make it **&&**& easy?!!!!! And I paid good money for this kind of frustration????????!
Consider joining https://musescore.com/groups/fun-silly-amusing-crazy-outrageous-hilarious-soundfonts-and-sound-effects
This has been a paid political announcement.
I mean, yes join
But no, it has nothing to do with politics
I don't receive any compensation for this announcement
Except the warm glow of having you join our group.
Write a song about a lonely tarantula that lives in a banana bunch.
The grand price is a vierual bunch of ripe bananas. Now, for a limited time, as a added amazing bonus, a free virtual tarantula. No, I'm lying. Must be the toxin from the tarantula bite that's affecting me. Dizzy dizzy it's all going dark.
Please check out my new score. It was just a bit of silliness that I wrote. I hope you enjoy! https://musescore.com/user/30771082/scores/5691515
How's your day going?
I wrote a new piece for harp, check it out:
~feedback is MORE than welcome~
I'm in a private band and we need help naming our band. Can you guys help us?
Link to the Full Score: https://musescore.com/themtcrew/scores/5217400
Hello! Mark and I have finalized the brass parts for the ballad of our original show, 2 + 2 = 5. The ballad we've chosen is The Hymn of Acxiom by Vienna Teng, as we believe it fits the theme of the show - George Orwell's "1984" - perfectly.
If you are unfamiliar with the project, here is a quick summary:
Mark and I plan to have as many of you submit recordings of yourselves playing through the show as we can. We will then compile the recordings into one large file, and place it over virtual drill that Mark is writing, to create a virtual drum corps of sorts. If you'd like to record, here's all the info you'll need!
You can play through as many parts as you'd like. In fact, we would much appreciate it if you did! (For example, if you play the trumpet, it will be better for the end result if you record and submit all three trumpet parts, rather than just doing one) Of course, you don't have to do this! Mark and I will be listening through each recording of the trumpet soloist's part, and picking the one we think would best benefit the overall recording.
We would prefer if you submit one large (3-ish minute) recording, but if you find it difficult to play through the part(s) in one sitting, please refer to the recording guide below!
Here is the link to all the parts: https://drive.google.com/drive/folders/1CTplR1RBHZX2YCJZ80M35VF20sjaPI9u?usp=sharing
3.) Recording Guide
Recording One: Beginning to Letter D
Recording Two: Letter D to Letter F (Trumpets, include two measure pick-up)
Recording Three: Letter F to Letter I
Recording Four: Letter I to the end
Again, we'd much prefer your recording be from the beginning to the end, to simplify our own work, but we decided to include this in case some need the breaks in between. Trumpets obviously don't need a recording one/four, as they don't play at these points. Please play the part at the exact tempo that's listed. This can easily be done by playing along with the recording (preferably while wearing a headset!).
If you have recorded the entirety of the ballad at once, submit an MP3/MP4 file with this name as the format:
If you used the segmented guide above, use this format:
Send submissions to email@example.com.
If you have any questions, ask them below! Thanks everyone!
*DISCLAIMER* Absolutely no profit is being made off of this project in ANY way. All rights to the music used go to their respective owners.
In honor of Jesus.... thank you Bernie for trying to help with this.... I think it is better now.....
Hello! I'm searching for someone to make transcriptions of some rock pieces for solo Viola. I will be really happy with something like Roman Kim's version of ,,Highway Star".
Just finished this weird mashup, please give some feedback! :)
Have any of you named your flutes? I'm trying to name mine(lol) and thought it would to hear what you guys have named yours.
*edit* I have 2 flutes and I named them Charlotte Marie and Elise Jean
I find that it's annoying that no one really plays flute any more. I am a PROUD flute player!