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66 discussions • 1.9K scores • 2K members

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Reached composers block

So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.

I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.

despising Musecore 3

There are days when I absolutely hate Musescore 3. Sure, it is nice that things get automatically spaced in the score so nothing overlaps, so wow gee wiz, uh, isn't that just how it should be? What I hate is that they seem to have gone out of their way to make things more difficult compared with Musescore 2. They seem to have randomly changed things that didn't need changing just to make it frustrating for the use. It used to be easy to change the volume of a single note or chord in a score. But now, once I finally figure out how to do it, Musescore manages to hide it from me so then I have to start all over trying to find out how to do it again. Why!!!? It used to be easy to see the note in inspector and then modify the volume, but now, where the blazing biscuits is it?? And why is it impossible to find in the manual? Ultimately, there is no advantage to Musescore 3 other than the spacing thing. So, I should do everything in Musescore 2 and then when it is ready to be put online, open it with Musescore 3. Just be sure to give it a different name because once you open it in Musescore 3, they won't let you go back to Musescore 2. Oh, no. Why would they make it **&&**& easy?!!!!! And I paid good money for this kind of frustration????????!

Metal on Violin

 
I really like heavy metal, but the problem is that theres little to no sheet music for Violin of some heavy metal songs. I especially like Iron Man by Black Sabbath, and in honor of the events that happened in Endgame, I myself made Violin solo sheet music for Iron Man, heres a link:  
https://musescore.com/user/26428421/scores/5617191
Please leave a like if you enjoy it :D. If you have any suggestions as to what i should try to do next, please leave a reply :) 

Need help finding solo piece for Flute!

Hey all! I'm going to audition for my local junior orchestra in the fall, and need some advice... here are the requirements:

  • A solo or piece of your choosing that fully demonstrates your finest playing, such as a piece you are working on in lessons or a piece you performed with your school
  • A classical concerto for your instrument of your choice
  • Major scales and arpeggios up to four flats and sharps
  • Melodic minor scales and arpeggios up to four sharps and flats
  • Sight-reading


I have the last four down, I just need help finding a solo piece. If any of you have any suggestions, i'm in need!

~Patronus_1

Voicings on Scores

It would be nice to see organ voicings/stop settings on more scores. If using GrandOrgue or Hauptwerk, the organ selected and its stops would be interesting.

As someone just starting my journey with pipe organs, it would be helpful to hear how others select which stops are used in absence of marked directions from the composer or when the recommended stop is not available.

Help needed from flutists/flautists(?)

Hi, I was wondering, are there any flute players that have Mark Karen’s ‘The Flute Etudes’ book? I’m trying to help out a friend after hearing that the flute etudes used by TMEA are among some of the hardest. I know that most of them that were selected by the author are in public domain, but I don’t know which ones. If you could tell me which etudes are used in the book, that’d be greatly appreciated.

Infamous 16th note Passages & Band Excerpts

I wanna know some lists of pieces that you all have played during your time in Band in School, and What are some pieces that you all have played with some of the most Infamous straight 16th note runs that last for more than 16 Bars in the Woodwind Parts in Band Pieces? I have one to start it off and it's Metroplex by Robert Sheldon, has anyone ever played this piece or anything just as bad like it?