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Soundfont contest!

If I may, I would like to suggest a contest: Find the worst soundfont you can (MuseScore 1 is acceptable if you don't want to download a new one - just use oboe, accordion, or another really bad-sounding instrument soundfont), then write a short song for it and see if you can make it sound good! It can be for any instrument.

The idea is credit of Benjamin Basford (https://musescore.com/basfordmedia - discussion here: https://musescore.com/basfordmedia/moriartys-grip#comment-1049596). The deadline is August 9th, so you have a full month to do it. The judges (me and whoever else would like to be one) can enter but may not judge themselves.

Good luck!

Bleach- Treachery

update: Just wanted to say I Finished it a few days ago .

old: I've been working on my arrangement of this piece and was wondering what you guys thought of it so far. From what I have gotten from listening to this piece like a quadrilion times, its basically a few measure just repeated over and over. So to try to make it more exciting I've tried to really diversify the left hand. What do you think?

https://musescore.com/user/28269424/scores/5646906

new composition! "Waltz of rememory" feedback wanted!

   This music music has a sense of tragedy with romanticism and a bit of modernism accents.
Of course you will hear one of the most popular classical music progressions (baroque epochs progressions of fifth) but i wanted to do my own version of that progression.  Maybe you can relate my piece with someone others... leave your comment i would like to know what others think...

https://musescore.com/user/27686937/scores/5639783

Reached composers block

So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.

I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.

despising Musecore 3

There are days when I absolutely hate Musescore 3. Sure, it is nice that things get automatically spaced in the score so nothing overlaps, so wow gee wiz, uh, isn't that just how it should be? What I hate is that they seem to have gone out of their way to make things more difficult compared with Musescore 2. They seem to have randomly changed things that didn't need changing just to make it frustrating for the use. It used to be easy to change the volume of a single note or chord in a score. But now, once I finally figure out how to do it, Musescore manages to hide it from me so then I have to start all over trying to find out how to do it again. Why!!!? It used to be easy to see the note in inspector and then modify the volume, but now, where the blazing biscuits is it?? And why is it impossible to find in the manual? Ultimately, there is no advantage to Musescore 3 other than the spacing thing. So, I should do everything in Musescore 2 and then when it is ready to be put online, open it with Musescore 3. Just be sure to give it a different name because once you open it in Musescore 3, they won't let you go back to Musescore 2. Oh, no. Why would they make it **&&**& easy?!!!!! And I paid good money for this kind of frustration????????!

Sie können jetzt die Braut küssen

 
"Unsere Hochzeit fand in der St. John the Evangelist Church von Ford End in Chelmsford statt, und unser Empfang fand auf den Feldern eines Bauern auf dem Weg der Kirche statt. Dies ist das Dorf, in dem Rob gewachsen ist, seit er ein Kind war und seine Eltern noch dort leben. Es ist die Verkörperung eines englischen Dorfes mit seiner roten Telefonzelle vor der Kirche, seinen grünen Feldern, seinen weißen Barrieren und seinem gesunden Gemeinschaftsgeist, den wir lieben. 

 Es bedeutete uns und Robs Familie viel, uns in einer so glücklichen und vertrauten Umgebung zu heiraten, und wir fanden es toll, dass wir nach der Zeremonie eine Prozession bilden und sanft unter der Sonne unseres Empfangs wandeln konnten. "


„Wir hielten unsere traditionellen Gelübde, weil wir beide das Gefühl und die Worte des ursprünglichen Gelübde lieben, aber fragten wir den Priester hinzufügen“ Sie können jetzt die Braut küssen „am Ende (die nicht immer enthalten ist in den traditionellen Diensten), weil ich den Moment liebe 
brautkleid schlicht
, in dem alle Gäste mit einem Lächeln strahlen und sich in fröhlichen Applaus stürzen.