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Brass

68 discussions • 1.1K scores • 2K members

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despising Musecore 3

There are days when I absolutely hate Musescore 3. Sure, it is nice that things get automatically spaced in the score so nothing overlaps, so wow gee wiz, uh, isn't that just how it should be? What I hate is that they seem to have gone out of their way to make things more difficult compared with Musescore 2. They seem to have randomly changed things that didn't need changing just to make it frustrating for the use. It used to be easy to change the volume of a single note or chord in a score. But now, once I finally figure out how to do it, Musescore manages to hide it from me so then I have to start all over trying to find out how to do it again. Why!!!? It used to be easy to see the note in inspector and then modify the volume, but now, where the blazing biscuits is it?? And why is it impossible to find in the manual? Ultimately, there is no advantage to Musescore 3 other than the spacing thing. So, I should do everything in Musescore 2 and then when it is ready to be put online, open it with Musescore 3. Just be sure to give it a different name because once you open it in Musescore 3, they won't let you go back to Musescore 2. Oh, no. Why would they make it **&&**& easy?!!!!! And I paid good money for this kind of frustration????????!

Need help finding solo piece for Flute!

Hey all! I'm going to audition for my local junior orchestra in the fall, and need some advice... here are the requirements:

  • A solo or piece of your choosing that fully demonstrates your finest playing, such as a piece you are working on in lessons or a piece you performed with your school
  • A classical concerto for your instrument of your choice
  • Major scales and arpeggios up to four flats and sharps
  • Melodic minor scales and arpeggios up to four sharps and flats
  • Sight-reading


I have the last four down, I just need help finding a solo piece. If any of you have any suggestions, i'm in need!

~Patronus_1

Voicings on Scores

It would be nice to see organ voicings/stop settings on more scores. If using GrandOrgue or Hauptwerk, the organ selected and its stops would be interesting.

As someone just starting my journey with pipe organs, it would be helpful to hear how others select which stops are used in absence of marked directions from the composer or when the recommended stop is not available.

Help needed from flutists/flautists(?)

Hi, I was wondering, are there any flute players that have Mark Karen’s ‘The Flute Etudes’ book? I’m trying to help out a friend after hearing that the flute etudes used by TMEA are among some of the hardest. I know that most of them that were selected by the author are in public domain, but I don’t know which ones. If you could tell me which etudes are used in the book, that’d be greatly appreciated.

Infamous 16th note Passages & Band Excerpts

I wanna know some lists of pieces that you all have played during your time in Band in School, and What are some pieces that you all have played with some of the most Infamous straight 16th note runs that last for more than 16 Bars in the Woodwind Parts in Band Pieces? I have one to start it off and it's Metroplex by Robert Sheldon, has anyone ever played this piece or anything just as bad like it?

Musecorps Drum Corps Recording #1

Link to the Full Score: https://musescore.com/themtcrew/scores/5217400

Hello! Mark and I have finalized the brass parts for the ballad of our original show, 2 + 2 = 5. The ballad we've chosen is The Hymn of Acxiom by Vienna Teng, as we believe it fits the theme of the show - George Orwell's "1984" - perfectly.

If you are unfamiliar with the project, here is a quick summary:
Mark and I plan to have as many of you submit recordings of yourselves playing through the show as we can. We will then compile the recordings into one large file, and place it over virtual drill that Mark is writing, to create a virtual drum corps of sorts. If you'd like to record, here's all the info you'll need!

1.) Parts
You can play through as many parts as you'd like. In fact, we would much appreciate it if you did! (For example, if you play the trumpet, it will be better for the end result if you record and submit all three trumpet parts, rather than just doing one) Of course, you don't have to do this! Mark and I will be listening through each recording of the trumpet soloist's part, and picking the one we think would best benefit the overall recording.
2.) Recordings
We would prefer if you submit one large (3-ish minute) recording, but if you find it difficult to play through the part(s) in one sitting, please refer to the recording guide below!
Here is the link to all the parts: https://drive.google.com/drive/folders/1CTplR1RBHZX2YCJZ80M35VF20sjaPI9u?usp=sharing
3.) Recording Guide
Recording One: Beginning to Letter D
Recording Two: Letter D to Letter F (Trumpets, include two measure pick-up)
Recording Three: Letter F to Letter I
Recording Four: Letter I to the end

Again, we'd much prefer your recording be from the beginning to the end, to simplify our own work, but we decided to include this in case some need the breaks in between. Trumpets obviously don't need a recording one/four, as they don't play at these points. Please play the part at the exact tempo that's listed. This can easily be done by playing along with the recording (preferably while wearing a headset!).
4.) Submitting
If you have recorded the entirety of the ballad at once, submit an MP3/MP4 file with this name as the format:
Username_PartName_Full
If you used the segmented guide above, use this format:
Username_PartName_RecordingNumber

ex. TheMTCrew_Trombone1_Rec1
OR
markmacri_Mellophone1_Full

Send submissions to themtcrewparts@gmail.com.

If you have any questions, ask them below! Thanks everyone!

*DISCLAIMER* Absolutely no profit is being made off of this project in ANY way. All rights to the music used go to their respective owners. 

Transitioning from single to double horn

Hey guys, I'm a trumpet player who was also a self-taught horn player for a year. I haven't played in a while but I'm thinking of picking it up again. I know most beginners start off with a single F horn, and that's the route I plan on taking. For those of you who have switched from single to double F/Bb horn, was it difficult in terms of learning the new fingerings? I know they are very different, does anyone have any way to learn the new fingerings quickly? Thanks!

Posting music online without having the instrument sounds go haywire

It is really great that musescore now can let you post your compositions online with the same soundfonts and thus the same sound you hear on your own home computer, or wherever you do your composing. No more frustrations of having the posted compositions sounding different from what you wanted. Under file, click save online and check the box for importing your composition's sound. Nice.