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Discussions

Help needed from flutists/flautists(?)

Hi, I was wondering, are there any flute players that have Mark Karen’s ‘The Flute Etudes’ book? I’m trying to help out a friend after hearing that the flute etudes used by TMEA are among some of the hardest. I know that most of them that were selected by the author are in public domain, but I don’t know which ones. If you could tell me which etudes are used in the book, that’d be greatly appreciated.

Infamous 16th note Passages & Band Excerpts

I wanna know some lists of pieces that you all have played during your time in Band in School, and What are some pieces that you all have played with some of the most Infamous straight 16th note runs that last for more than 16 Bars in the Woodwind Parts in Band Pieces? I have one to start it off and it's Metroplex by Robert Sheldon, has anyone ever played this piece or anything just as bad like it?

What do you think about this piece?

Hi, my music school just emailed me telling they've made a local Summer Competition which deadline is the 1st of September, basically this competition consist of composing a piece which is 1 to 2min long (it doesn't matter which category eg. Piano solos, Orchestra, etc...), and the winner will win 100 Euro to spend in Music books and a free year of studies.

So i've made this little piano concerto with strings that is about 1:20min long.

Could you tell me in comments what to change/improve and tell me if you liked? That would be really really appreciated! :-)

Updates: Finally finished this Concerto and i'm sincerely so proud of this! Hope this win althought there are very good composers in my school, so yeah let's see for the results in September! Thank you all for the support you gave to me!!

Concerto: https://musescore.com/user/14519221/scores/5621075

My Vivaldi score, seen used in the wild

Hello Strings,

I just wanted to share that a (not great) engraving I made of Vivaldi's cello concerto RV 407 years ago (when I had been doing music for only three years) is being used in this professional performance, as I managed to deduce after peering at the first violin part on the concert master's desk:

https://www.youtube.com/watch?v=10ZkqDuakkw

This is pretty cool, because I made that score and made it freely available on IMSLP so that it might be played more often. It used to be on musescore.com too, long ago, but if I upload it now then the playback and layout are all different. Anyway, here is the IMSLP link:

https://imslp.org/wiki/Cello_Concerto_in_D_minor%2C_RV_407_(Vivaldi%2C_Antonio)

Transitioning from single to double horn

Hey guys, I'm a trumpet player who was also a self-taught horn player for a year. I haven't played in a while but I'm thinking of picking it up again. I know most beginners start off with a single F horn, and that's the route I plan on taking. For those of you who have switched from single to double F/Bb horn, was it difficult in terms of learning the new fingerings? I know they are very different, does anyone have any way to learn the new fingerings quickly? Thanks!