Hi there fellow string instrument players,
Outside of transcription and arranging for orchestra and occasionally smaller ensembles I am also a professional violin maker and restorer.
And for that reason, I am willing to try and answer every question on the subject of violins, violas, cellos and contrabasses in regard of construction, acoustics and history.
Questions can go from: 'How best to clean my violin' to 'What's so special about old instruments and especially those by Stradivarius'.
Please take note that my mother tongue isn't english, I'll always try to utilize the correct terms and words but mistakes are bound to be made!
Hi there fellow string instrument players,
Can you recommend me some pieces for viola to play alone? Maybe J.S.Bach (please don't say Prelude suite nº1) something short, about two pages, not much difficult... I hope you found something for me! Thank you! <3
Hey! I'm newer to percussion and writing for percussion (I play glockenspiel and handbells), and I'm looking to expand my composition repertoire to include percussion ensemble pieces. I was wondering if anybody has any tips on composing for percussion. If so, that would be very much appreciated.
Thank you! :)
Put simply, I'm kinda bored, and I want to write out some percussion parts. However, I have no shows to write for! So, does anybody have a show that they'd like me to help arrange percussion parts (both pit and battery) for?
Hey, this a solo for 4.3 octave Marimba I made, any comments/feedback is appreciated!
Home(Solo Marimba): https://musescore.com/user/27604158/scores/5119996
Sorry I have to do a direct post like this but there's a glitch with my account that wont let me add scores to groups but if you guys could check out (leave comments/critiques) of Lucid Dreams I arranged it with Musicman-8 (he did percussion) thanks so much!
I thought I would share the progress with the new percussion soundfont. Here is a demo of marching snare.
A couple of points to mention - each sound has 4 samples with random alternations between each sample to make it sound much more realistic.
The soundfont is fully compatible with VDL, so has all the same articulations and capabilities (except mallet changes).
There will be 6 tenors and 2 bassline options - 6 basses and 10 basses.
I hope to be able to get this to the community to be testing within the next couple of weeks. :-)
pines of rome would love to see a score with full percussion and Drume core. i wann aplay it ont he tuba.
Hey! I just joined this group because I hoped I could find people who loved mallet percussion as much as I do. I just added six of my pieces I've made to the group and hoped I could get some feedback on them. Thank you and I hope to be able to help future composers and mallet percussionists! :D
I'm a bassoon player and composer who would appreciate advice on writing for strings. Please comment some general rules and techniques for string composition. Any help is appreciated. Thanks!
I am looking for a better soundfont for marching percussion is there any with flams and tenor shots? any kind of info would help
Hello! I composed a high school indoor percussion show that is still untitled. I am very new to writing for battery so I am asking someone to do it for me. I will credit you! More than one person can do it. Do not steal my composition and claim it as your own.
There are some parts that I would like for battery parts to not be written:
1. During the preshow, before keyboards enter for the first time.
2. During the transition to Part 2.
3. During the beginning of Part 2, with the eerie celesta phrases. After the marimba enters with the swelling eighth notes, it is fine, and so on.
Here are some parts where I'd like a specific thing to happen:
1. A tenor "Feature" that includes syncopated rims.
2. A cymbal feature where the keyboards decrescendo to mp before the final impact to the end.
Beyond that, you can do whatever you please!
LINK : https://musescore.com/user/226816/scores/5019991
Contact me as soon as you finish! Comment if you are interested!
Additionally, I compose for winds, so if you would like to collab in the future, my email is : email@example.com
I have almost a whole show written with no percussion. My background is in mostly wind arranging so a percussion arranger would be amazing! Thanks!
I really would love some feed back on these two original compositions. Please let me know if I can do anything to make these better. The pieces arn't really that hard, but if there is something as is odd, please point it out.
Thanks in advance!
Anyone in this group headed to WGI this weekend?
Hey, I was wondering if anybody has found a very good "FULL SHOW" based on the song 2112, if not I was maybe thinking of trying to make one. I know that there is one by some college band that is pretty good but it is only like a 3 min show and I was looking for like a full, and well done, HS or DCI show. If I end up making a show based off of this, please also let me know if you'd be interested in helping me :) THX fellow DCI lovers!
I'm trying to arrange a string quartet cover of Bird Set Free by Sia and I have most of it done. I just need help with some of the parts where, in the song, Sia is just riffing and singing kind of free in the background. Her doing that makes it really dramatic and highlights the climax which is why I want to try and imitate it. But I can't figure out the notes or how to write it (the rhythms, ornamentations, etc.). So if anyone would be interested in helping me out I'd really appreciate it! Just let me know and I'll send you the piece.
Now added to the sheet music for the group.