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MDL + More

In addition to MDL, I think many could agree that MuseScore also needs MFE (MuseScore Front Ensemble), to work in conjuction with MFE as a soundfont. I understand it is hard to get nice sounds on an open-source software, but it would be nice to have. Here are suggestions for the soundfont in mind:

UPDATED SOUNDS
- Marimba (with 3 hardnesses); the marimba sounds a little bit like a toy xylophone with a deeper voice. It doesn't sound very rich.
- Vibraphone (with 3 hardnesses); the vibes don't exactly sound metallic enough
- Xylophone (with 2/3 hardnesses)
- Glockenspiel (with 2 hardnesses)
- Chimes/Tubular bells (with 2 hardnesses); the chime sound isn't round enough and is a bit abrasive in timbre

NEW SOUNDS
- Crotales
- Gong (PLEASE)
- Suspended/China cymbals with pre-recorded rolls and hits on different sizes (similar to what VDL does)

And as well, a nice function that could be EXTREMELY useful is the ability to upload samples into a score by mp3 or wav.

Percussion rewrite on my piece.

I was wondering if there are any experienced percussionist who could rewrite drumline and frontline in my dci composition. You can find the piece on my profile to see if it is somerhing that you would like to work on. Feel free to add or take away as many percussion parts as youd like. Please use the MDL snare, tenor, and bass. Message me and ill send you the file and we can work together!

Melody Notes

in Banjo

Hey guys! Any idea how to highlight the melody notes for banjo tab? Not necessarily for playback purposes, but for a visual for students. I've selected certain notes and turned the color of the melody notes "red", but circling the notes or "bolding" the notes may be a better choice if only able to print in black. 

Polonaise in Bb, Feedback Wanted

I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.

1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?

2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?

3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not?
 
4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?

5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not?
 
6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?

7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further? 

Here is the link to my polonaise score:

https://musescore.com/user/50070/scores/5682039

How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.