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On notating Swing rhythms

I am currently polishing up an arrangement for Glorious Morning for marching band when I hit a road block. You see, The entire piece is in a triplet swing, and whenever I have encountered this in marching band I always saw it as notated how to swing the notation right next to the tempo, but the piece has the first note both held and not in some places, so how should I go about notating this? Should I stick to 4/4, and just choose one to write as a triplet, and if so, what, or should I write it in 12/8 and leave a note saying "Conduct in 4?"

Thoughts on this show idea?

So I had this idea for a show called "A Part". The show is about being apart, separated, from something but still being a part of that. In its essence, the show is about stars and how they are so lonely as individuals in the universe but they are a part of the universe, something much greater than themselves. This show theme is giving me really Blue Knights vibes and I just wanted your thoughts on if this could make a show. If anybody is interested I started writing some pit and soloist stuff that fits the theme really well, and if you want to take a shot at this theme I could send those over to you! Thanks for your thoughts, any comments are appreciated.

musescore issue getting a composition to play

apparently, now all of a sudden, I can only get my music to play if it is the default soundfont. If I use another soundfont library such as the SChristian Collins 1.471, it just processes indefinitely when I press play. I do not see a solution to this. If I can only use the default soundfont in uploads, it makes no sense to upload anything anymore. So, unless I can fix this, I won't be posting any more. So it goes.

Need someone with an eye for French Horn: L'Arlésienne

in Brass

Hello!

I don't get on the forums much anymore, and this UI is garbage, but I could use a hand none-the-less.

I'm looking for someone who plays french horn specifically. Take a peek at this here arrangement:

 
https://musescore.com/thunder_skunk/l-arl-sienne-in-bb

I jammed it together from memory of playing it forever ago, snagging the main bits from ISMLP. Very often, my horn parts are the last to be arranged and usually get the worst hodge podge of voices. This is a great example of how not to write for any instrument in general, but it happens. This was in c minor, now it's in g minor, and the french horn is simply way to low.

I have a good sense of the comfort level for the other instruments as I play them, but I've done little more than fart around with horn. I'd greatly appreciate some cries of resentment and guidance on how it should be if you could.

Thanks!