I tried to upload my score for my bruno mars marching show with marching percussion but for whatever reason, the percussion is inaudible unlike how it is within the musescore client, any help would be appreciated.
Got a bit of a late start due to some technical issues, but thought I'd live "blog" the San Antonio show, through out some thoughts and anyone else feel free to chime in... so, it's 2:56 PM in San Antonio.... Oregon Crusaders are on the field
I'm working on the MDL 1.1 update that I'm trying to get out ASAP.
Curious to see any requests that I might be able to sneak in.
Currently in are:
- Increased volume of all instruments and articulation
- Refined notation standard (a few minor improvements - will release with notation guide)
- Improved templates
- Evened out hits a bit across all instruments/articulations (this will be an ongoing effort)
- Fixed issue with adding accents or articulations to buzz/crush/roll
Cymbals and show style tenors are currently placeholder and will be addressed in a future update. Will be recording new samples (only instruments without custom samples).
The plan is to update MDL moving forward on a regular schedule. After 1.1.0 we should plan to update every weekly for the time being.
So, any urgent requests for 1.1?
Hey! So I'm starting work on a project called "Wake Up" and I'm looking for ideas of some possible songs to put in it. They can either be from this website or big professional works.
The show theme is more on the depressing/somber side with a twist at the very end. (Not spoiling anything yet) But help would be appreciated with the musical selections and also a percussion writer would be awesome!
I am currently working on my own drum corps piece using music by Thomas Bergersen in his album "Illusions." Please check it out and let me know what y'all think. Check the description to see what I plan to do with that piece. Please feel free to critique it and give me ideas. I hope y'all like what I have so far. Anyway here's the link. https://musescore.com/user/10964131/scores/5171039
Oh and if you don't know Thomas Bergersen I recommend you check him out. Listen to Two Steps From Hell.
Hey everyone, getting ready to release MDL 1.1 and as part of this have put together the first part of an Official Notation Guide.
It can be found here - https://musescore.com/user/29165763/sets/5097225
This will be followed up with tutorials that explain in more detail the best practices for marching percussion notation.
Tip: If you do not use the MDL templates, be sure to change the musical symbol font to Bravura (Style > General > Score). MDL is ONLY supported in Bravura.
Who can make the best all-vibraphone piece? No other instruments. Just vibraphones. Maximum of 8 different parts.
Yo, can we get some decent Timpani solos, duets, etc. up in here?? furreals, there ain't that much kickin' out there!
Hi! I am currently working on a Marching Show Ballad, covering "Nothing Else Matters" by Metallica. I've got the jist of it written (Measures/Time Signatures/Rhythm Template) I just, now need somebody to fill in the break. It's very short. There is a possibility that I will extend it in the future, but I'd like to see what I could get first.
Thanks in advance.
1) Regarding bass drum unison audio playback (F key) for 5 bass drums - For upcoming MDL updates would it be possible to obtain an audio sample of a 5 bass drum unison hit (as opposed to a 6 bass drum line)? When I write battery scores for 5 bass drums and there's a unison hit, you can definitely hear the bottom bass 6 overtone more than drums 1-5 and the pitch is much lower and beefier on #6 than bass 5.
2) I'm having difficulty getting proper audio playback of 1-to-2 measure Crescendo and Decrescendo (from Piano to Forte). Audio play back simply goes from Piano on 1 bar to Forte the next. Any suggestions on how I can fix that?
i wrote a percussion lot warm up and need some one to write a cool grooving battery part. message me if you're interested
Hey, guys! I'm new here and have been recently writing an indoor percussion piece (I've only written front ensemble) and I need someone to write battery for it. I need a snare, 5 drum tenor/quintet quads, and 5 bass drums. Whoever is willing to do it must be able to stick to a schedule.
My email is firstname.lastname@example.org
There are 2 ways you can upload a score to Musescore.com.
Option 1 - Simply select File > Save Online - make sure to tick the box that says "upload score audio"
Option 2 - Before saving the score locally go to View > Synthesizer and select "Save to Score". This should save the synth settings in the score so that the server understands how to process.
Please also share your scores to this group! We love to see them (and comment :-) ).
If you have uploaded a score previously, and there is an issue with playback, simply follow the steps above and re-upload the score.
I am also putting together a number of tutorials for MDL. Here is the starting point:
If you have already installed, skip to the other tutorials at the bottom of the link that walk you though many of the other features of MDL.
So, soon I put out a first draft of a notation guide to start to walk through the MDL notation standard.
While some of what is presented in the MDL notation guide will be familiar if you have used VDL or other notation inspired by it. Some will be a bit different.
In creating the MDL standard, we looked at the VDL standard created by Jim Casella, Murray Gussek, and Hugh Smith... and actually had long conversations with the VDL creators to understand why they did some things in the way they did. One of the key influencing factors was the limitations of Sibelius at the time VDL was created.
Since the number of noteheads and articulations in Sibelius then were limited, they were forced to make some choices that were less than ideal.
With MDL and MuseScore 2.3, we did not have such limitations and were free to create. As a result, some of the types of notation you were used to using, that were awkwardly formed from limitations of Sibelius, have been replaced in MDL.
A few examples...
Crossovers on tenors. Some use a plus above the stem, which is actually commonly used for dampening, closing, or muffling.
Others use ( ) around a note, which is commonly used for ghost notes, particularly on drumset.
It is also common to see crossovers notated with a hollow diamond notehead, which completely breaks the format for note duration.
If you look in the MDL Workspace (make sure MDL is selected in bottom left) and open the MDL articulations palette you will see that there are actually 2 designations for crossovers - LOR (Left Over Right) and ROL (Right Over Left). This makes notation even more explicit or descriptive than any other option out there.
In case you are wondering, if there is an accented crossover, the crossover goes above the accent.
Back to skanks. I've seen that some notate these with an elongated V, which is actually a symbol for an up bow marking for instruments like violins, cellos, etc.
When we look at the actual technique of a skank, it is a hit with a quick hand mute followed immediately after. A + symbol would not be entirely accurate, as it would imply that the note would be muted upon attack, not after.
So, what is a skank? It is a quickly shortened rim shot.
In thinking about this, we have suggested (and the logic in MDL 1.1 supports) the notation of a skank as creating a rim shot on the 4th drum and then applying a staccatissimo articulation. This emulates both physical action involved in playing and also the modification of the rim shot.
As we more forward in releasing the full notation, very interested to get your thoughts, ideas, feedback. We truly want to make this in the international standard.
i love it
Please share what you think of this original piece! Criticism appreciated, but also just looking for general thoughts and opinions.
Summer Wool added to the Sheet Music for the group.