In addition to MDL, I think many could agree that MuseScore also needs MFE (MuseScore Front Ensemble), to work in conjuction with MFE as a soundfont. I understand it is hard to get nice sounds on an open-source software, but it would be nice to have. Here are suggestions for the soundfont in mind:
- Marimba (with 3 hardnesses); the marimba sounds a little bit like a toy xylophone with a deeper voice. It doesn't sound very rich.
- Vibraphone (with 3 hardnesses); the vibes don't exactly sound metallic enough
- Xylophone (with 2/3 hardnesses)
- Glockenspiel (with 2 hardnesses)
- Chimes/Tubular bells (with 2 hardnesses); the chime sound isn't round enough and is a bit abrasive in timbre
- Gong (PLEASE)
- Suspended/China cymbals with pre-recorded rolls and hits on different sizes (similar to what VDL does)
And as well, a nice function that could be EXTREMELY useful is the ability to upload samples into a score by mp3 or wav.
Very fun group. What you do you is record yourself playing the piano, then you post it in this group and everyone enjoys listening your beautiful piano piece! Please join, just type in "Piano for Us"
-Thanks, David Matev, and Edward Konyrev
i've been meaning to ask this for a while, but what is patrick doing in the group icon?
If you listen to this score it will be stuck in your head for the rest of the week
and probably fill you w/ memories from your childhood
I know I do.
Mine is my rondo for a sonata collab
I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.
1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?
2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?
3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not?
4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?
5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not?
6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?
7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further?
Here is the link to my polonaise score:
How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.
Hey! I hope you have some to listen to some sax quartet music.
I just added 5 scores in this group, please let me know if you like it or not.
Also check out our facebookpage: The Magical Saxes
Hi all, there used to be a flute piece titled "end credits", but it was taken down when the user's account got suspended. Does anyone else know what piece I'm referencing, and can anyone remake it? (I'm not too good in the composing area).
This is one of my first scores, so any and all feedback would be great (although preferably constructive criticism). Thank you!
Hi there! I have yet another piece I'm looking for feedback on (again, preferably constructive criticism, but hey). Please comment on the piece itself preferably, but idc if you post here either.