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Lyrics

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Hymn Formatting

Hello, composers! So, for your original hymns that you write in MuseScore, I recommend you format them a specific way so that they fit nicely in a songbook and the words are not too small. To make it easy on you, you should create a 'style' that you load into every hymn you write. 

I recommend opening up a new, blank score, going to Format > Page Settings, and changing the 'width' to 139.70mm and 'height' to 215.90mm. Then change the 'Staff Space' to 1.118mm. 
Then I recommend going to Format > Style > Page and changing the 'Min. system distance' to 5.0sp. 
Then to Format > Page Settings > Measure Numbers, and uncheck 'measure numbers.' 
THEN to Format > Page Settings > Header, Footer, and, under 'Footer Text,' delete any time you see "$p" and delete "$:copyright:" from the 'even' row.

Finally, I would go to Format > Save Style, and save all this information as "hymn" somewhere you will remember. This way, every time you begin writing a new hymn, all you need to do is click Format > Load Style, and load up your "hymn" style. All this information you just input will be immediately applied to your hymn to make it look good and fit nicely into a songbook.

I learned all this the hard way when I put my congregation's supplementary songbook together. I didn't format the songs this way and they all turned out with the words too small and the page only being able to fit a maximum of four lines. Don't be Haden. Be smart.

Partitions chorales

je viens de trouver votre groupe "Musique vocale"
Je suis membre de plusieurs chorales et j'enregistre toutes les partitions de ces chorales avec MuseScore, fichiers que j'enregistre sur le site de Musescore. (j'en ai mis plus de 130 et j'en ai encore d'autres)

Mon essai gratuit de un mois étant terminé et, malgré mes recherches (et le fait que j'avais enregistré les références de la carte bancaire), je n'arrive toujours pas trouver le mode d'emploi pour valider l'abonnement "Pro"!
quelqu'un pourrait-il m'expliquer (en FRANCAIS) comment faire pour s'abonner à MuseScore Pro ?
Merci d'avance !

Old-Fashioned Girl

Okay so, I know this isn't technically a choir thing, but I really need opinions on a song I just finished writing, because I feel like there is something weird about it, but I can't really think of what it is. Does anyone know what I should do? Please leave suggestions, I honestly don't know what to do. 
-Rosetta

https://docs.google.com/document/d/1WVR5yqod44hQXkGeRW3mHFH7wUye9crn4kHAprgs-yg/edit?usp=sharing 

Still more words requiring a composer

These words have 6 syllables in every line. Every other line rhymes. Try writing a song for this visit, by a mysterious stranger, to an inn. (In the middle of a storm)
You think up the title...

The wind howled, thunder roared,
And lightning smote the sky
Rain battered on the roof,
Charcoal clouds swirled on high
A dark figure trudged up
The rain and mud filled lane
His black cape was pulled tight
To try and stop the rain

A lantern shone ahead,
Swinging in the fierce storm
Towards this beacon went
The dark and rain soaked form
Shutters closed to the wind
Showed but a crack of light
To the door he did go
A shadow in the night

The keep heard the wind howl
As he opened the door
And inside, water ran
From cape onto the floor
Face hidden by his brim
His collar turned up high
He closed the tavern door
Against the winds harsh cry

A muddy trail he left
To a chair by the wall
He sat, back to the fire,
For warmth against the squall
From beneath his cape came
A gloved hand with some gold
He beckoned for hot stew
And a mug of ale cold

Reaching up, he undid
The clasps that held his cape
He threw it on a chair,
A black and formless shape
His hair was long and black
Though shadow hid his face
A steel sword turned to gold
By flick’ring fireplace

Silently, ate his stew
Then chased it down with ale
Outside the storm had turned
Into a north-east gale
He stood and donned his cape
And turned towards the door
Without a word he went,
Across the cold black moor.

"How to write (better) lyrics?" - A tip

 Hi,

how do you write interesting lyrics, how do you avoid cliches, how do you find and create interesting metaphores, how do you create something beautiful, how to change lyrics into which directions, what's your rhyme-dictionary, how to avoid the perfect rhyme?

These are the subject of Pat Pattison's books. Pat is to lyrics what a mechanic is to my car :)

Just as a teaser:
* lyric is a car
* car of lyric
* lyric's car

-> what images do these create for you, and how can you use them for your lyrics?
E.g.
* lyric brings you to destination, lyrics move, lyrics entice
* / your turn :)

Best, Michael