This has been in the works for a painfully long time, but I finally bucked up and finished over the past two days, and I'm excited to share it with you all! I strongly suggest that you listen to the epilogue (around 3:03, measure 103), as it is a more refined copy of the first piece I ever wrote back in seventh grade. I'm so glad I was able to revive the old melody, harmony etc. since I've always loved it. FEEDBACK MUCH APPRECIATED!!!
I'm just curious. What's in the works? Are you mastering an instrument, learning to play a new one, trying to grow as an arranger/composer? Any upcoming music classes you're excited about? Goals? Plans? Post 'em below; maybe we can help keep each other on task. :)
Consider joining https://musescore.com/groups/fun-silly-amusing-crazy-outrageous-hilarious-soundfonts-and-sound-effects
This has been a paid political announcement.
I mean, yes join
But no, it has nothing to do with politics
I don't receive any compensation for this announcement
Except the warm glow of having you join our group.
Thanks to all the new members for joining our banana party. There seem to be quite a few 'banana' composers here at musescore, whether ithe music is about the fruit banana or banana fish or banana fairies or whatever or if the music is just plain banana silly. Post your music, tell your friends. I even heard that some higher up in the government was thinking of joining since they have lots of experience in being completely bananas.
The piece which I shared is part of a larger Sonata which I hope you'll enjoy! It's under work at the moment :-)
Please take a look at these if you haven't already!
To print (these copies don't have notation errors)
What if I want to send a player back to a specific bar after the chorus? Can I lop off the first 3 bars and have it make sense the second time through?
How do I indicate to the drummer that I want a cymbal crash the second time through
I am your new group owner!
We are going to have a few rules that you need to abide by. Mainly:
1. Keep discussions/comments free of profanity/inappropriate language.
2. Keep your discussions/comments free from spam.
3. Please be nice.
4. If I think of anymore rules, I will add them.
5. Anything against the rules will be deleted.
You may already heard about us. We're the Young Composers' Online Orchestra ("YCOO"). Recently, we've started a new project - we're gonna play Elliot Butler's Drama for Orchestra No. 6.
In the process of preparing the parts for our members, we found out that we don't have any English Horns, Violas and Double Basses!
If you can play one (or more :P) of those instruments, please consider joining us either forever, or for the current project only. You could save a LOT of effort and hope we're all giving in our orchestra.
Have a great day,
Milan Steklý, moderator of the YCOO
I haven't uploaded in a while, so I thought I should tell you what I was working on, it's still unfinished, but I haven't uploaded in a few months, so I thought I should upload my unfinished piano concerto. There are many things to improve. Like instrumentation, ect.
I hope you like it!
My experimental piece about cake and musical cryptography is in a stuck place at the moment so I'd really appreciate some ideas about where I should head next!
The instrumentation is also pretty unusual and is one of my favorite ensembles to work with - Flute, glockenspiel, violin and piano.
I think it's finally doneeeee :)