I haven't really decided on a name yet.
Here's a rag I composed in the spirit of Halloween! Thoughts and critiques are welcome and appreciated.
I have completed the A section of my Presto piece, or at least what I have thought of for it so far. It is quite quick at quarter note = 190 BPM. This is another piece for which I was aiming for a humorous character and I think I have done it. I titled my piece Presto in D major, because I wasn't sure if it could be considered a scherzo or not, but I did know that 190 BPM is well within the range for Presto. I also am not sure if I should stick to your typical scherzo form or if I should expand this out to a sonata form and have what I am now considering the A section be the First Theme. This is your typical Scherzo form:
I sometimes, especially in Beethoven and Chopin, see diversions away from this form and more towards sonata form in their scherzos(most commonly a coda is added, but sometimes the B section is extended to be more like the development section of a sonata). But currently, what I have would be the A section if I stuck to your typical Scherzo form. In comparison, here is your typical sonata form which I am thinking of possibly expanding this piece into due to the sheer speed of the notes. I mean, most Scherzos that I hear are at least 5 minutes long. Anyway, this is your typical sonata form:
And here is what would most likely happen if I were to expand the piece from typical Scherzo form to Sonata form:
It isn't the speed or how humorous it is that is making me question whether what I have right now could be considered the start of a scherzo. Rather, it is the time signature that is making me question it. Most scherzos are in 3/4. What I have so far of my piece is in 4/4 and the only simple time signatures that it could fit into are 2/4 and 4/4 because of the Alberti Bass in it. That isn't to say that you can't have Alberti Bass in 3/4, you can. But the Alberti Bass I have doesn't fit well into 3/4. Here is my piece so that you can give feedback on it:
And should I stick to the Scherzo form and just have it be a 2 minute Scherzo? Or should I expand it into a longer Sonata Form that might be say 10 minutes long at the same Presto tempo?
I'm a piano player arranging for strings!I have a question: If I have the 1st Violins play div., and i want both voices to play legato and staccato, do I need to put staccato dots/legato lines over both voices or only one?
I have this strange way of reading music.
My first instrument was violin, meaning I first leaned how to play in C treble clef. I learned how to read bass clef for piano, then Bb treble clef when I started writing music, as well as Eb treble clef, then finally alto clef when I started playing viola last year.
BUT instead of reading the note on the alto clef music (for an example) as an F, in my head I immediately call it a G, relating it to C treble clef music; I also do that with Bb tc and Eb tc. Does anyone else do the same?
In a way, it's a good thing because I can easily relate to the basic C tc, but if someone asks me to play a certain note (viola-wise, for an example) I'll play the note they said as in C tc, if that makes any sense ;)
Anybody here a Fall Out Boy fan???
does anybody have any tips for adjusting to playing flute with braces??
I´ve written a song and would love to hear your opinion about it.
thanks for listening. :)