Hello all, this is my first post.
All i'm asking is if i put a score of a solo nylon acoustic guitar piece in to musecore 3 how do i get musescore to add tab below? I've noticed many score/tab hybrids have the notes on the thinnest strings are on the tab when playing on the wound strings gives it enough body, is there a way around this automatically rather than having to do it manually? Also, i read of the ability to put straight up tablature in and have musescore add a score, how is this possible?
The score i have is Farewell by Sergio Assad, and i'd like to turn the free tab of Schnee in Istanbul by Carlo Domeniconi in to a tab/score hybrid as found on classclef.
Thanks very much.
If you're a fan of the popular Hip-Hop Broadway musical Hamilton, then join this discussion! Share anything you want about it.
I recently finished writing a chamber piece for flute, oboe, and harp. I'm hoping to enter it in a competition this fall, so any feedback would be greatly appreciated!
Any of my kind present?
honestly i feel like the flute doesnt have much RESPECT in the woodwind section
I play Bb clarinet what would be the next step up for a Clarinetist?
A bit impossible
Unless you're insane
They sound so good and help everyone else!
This page was created for guitar players and any music related for the guitar. Style and genre is not important as long as the music posted is guitar related. However, scores that do include the guitar MUST actually be playable on the guitar or the score will be removed. No offense is intended toward anyone who uses the guitar for composition and tonal purposes only BUT the Everything Guitar page is intended for Guitarist and Guitar Composers who are interested in researching ,sharing, and discovering guitar oriented music that is actually playable on the guitar itself. If these guidelines are not met the piece will be removed. These rules do NOT apply concerning seemingly impossible virtuoso techniques with proper practice and instruction to accomplish. These rules apply to guitar pieces or guitar parts within scores that include chord structures legitimately impossible to execute on the instrument. If anyone feels as though their piece has been wrongfully removed due to these guidelines you may resubmit the piece with the fingering necessary to accomplish such techniques. Using notes within the range of the guitar doesn't make the combinations of those notes or chords playable. Please do not take these rules as a message to not compose for the guitar if you are not a guitarist. DO take this message as an invitation to seek council How to properly notate passages for the guitar if you are not a guitar player. Thanks again to all the members who support this group.
this is the best form of my mary had a little lamb parody (it sounds dumb, but it actually sis one of my better pieces)
Check it out!
Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.
So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.
I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.
So, I can hit a wide range of notes with fairly good tone, but my issue is pitch. I tend to mess up which note I hit. For example, in 4th position playing a D instead of a G. Or playing a high Bb in first instead of an F. Sometimes I don't even realize I'm playing notes too high [usually can tell if it's too low unless it's an F, E or Eb] and end up practicing the wrong notes. I had this issue more this past year because I was first chair in our less-than-spectacular band [we're separated into two bands in my school] and I didn't really have someone to learn off of. I've been trying scales and everything but nothing seems to be working well. This is kind of a big issue for me because I'm basically guaranteed a spot in our better band next year and I want to be on top of my game this time instead of embarrassing myself or relying on someone else. Not to mention I'm joining jazz band...
I reconstructed a piece I played a few years ago but I just don't know the composer any more
Hey all! I'm going to audition for my local junior orchestra in the fall, and need some advice... here are the requirements:
- A solo or piece of your choosing that fully demonstrates your finest playing, such as a piece you are working on in lessons or a piece you performed with your school
- A classical concerto for your instrument of your choice
- Major scales and arpeggios up to four flats and sharps
- Melodic minor scales and arpeggios up to four sharps and flats
I have the last four down, I just need help finding a solo piece. If any of you have any suggestions, i'm in need!