can you give me photos for the cover and the image?? pls :D
So recently, I heard about this concept called polytonality, where different parts in a piece of music would play in different keys. For example, in a string quartet the first violin will play in Ab major, the second violin will play in C major, the viola will play in Eb major, and the cello would play in F major. I thought this was pretty cool, so I decided to try this in Musescore. However, I ran into a problem when I found out that inserting one key signature would revert all of the key signatures in all of the parts into the same one. I don't want to use accidentals, since that would take a long time and be very hard to read, so does anyone have a suggestion on what I can do to get around this problem?
En mis próximos proyectos me gustaría incluir una Romanza para Violín, sin embargo, no tengo mucha información al respecto acerca de la estructura y tal vez la orquestación debida. He comparado desde Beethoven hasta Bruch, tratando de canalizar las formas en que están plasmadas. Pero necesito ayuda, y no he conseguido encontrar a un profesor que me pueda atender. Podrían ayudarme? También me gustaría que recomendaran SoundFounts para este tipo de obras, pues los de Musescore me parecen un tanto carentes de sutileza para estas piezas(Entiendo que sean artificiales).
I wrote this for a story prompt for another group bit i think its a cool piano piece so i thought id post this up her. take a listen and tell me what you thing. thank you and hope you enjoy it.
hey guys im new but i wrote this piece after watching way to much anime and also as a way to step out of the box of what i was confertable writing hope everyone likes it.
Would much appreciate all thoughts!!! Especially by you lovely more modern-minded folks.
These will be the second and third movements of a suite containing five or six movements. The first, fourth, and fifth have all been started but not completed.
I'm aware that the MIDI file could be improved. Didn't worry about the interpretation much as whoever performs it will take care of that... only notated the really essential and non-obvious things.
lets see... New music is unheard before. It is also interesting but it need not be interesting to be new.
The first one is made to be played by synthesizers/MIDI Programs, which are connected to three speakers or surround sound and is impossible to be "sung" by humans, due to it's rhythms and speed.
The second one, is a piece which is about a constant, sometimes slightly changing continuity and the breaking of this continuity (and it's written for 24 Violins)
Thx for any nice comments,
hello, i know that this isn't my own composition but i would like some feedback for my arrangement of Bela Bartok's Bagatelles 1 & 2. i really want to open myself to modern music but i would like to understand first how to orchestrate in a modern style, so please inform me on what i did or didn't do in a modern style and how to improve my modern orchestration skills, and orchestration skills in general. i would like to understand more about modern music and orchestration before i take on actually writing a modern piece.
this is the arrangement : https://musescore.com/user/577426/scores/1659996
Thank you for your time c:
What are some of your favorite new composers? Personally I am really digging the avant-garde guys right now, Stockhausen, Antheil, Ornstein. I also really love Samuel Barber right now.
What is it?
Good? Bad? What all do you guys like about it?