There are 2 things I can think of as to how to get the Presto Agitato to sound right, one of which keeps the instrumentation, and another of which keeps the original octaves.
Option 1: Add Double Bass
This would keep the original octaves, and I could have it play the bass line and have the sixteenths start in the cello and rise upwards to the viola and second violin.
Option 2: Move bass line to Viola for first measure of each arpeggio run
This would keep the instrumentation I have going of a string quartet and for everything except the bass line, the original octaves would be kept as well.
Which one of these 2 options do you think would be better? Any other suggestions?
NOTE: I'm only asking about the arpeggio runs, the scales and Alberti bass are easier to arrange.
No made up words
Only one word
I play jazz and classical flute and am planning to audition for a pretty popular(in my area) jazz band. I have all of the needed requirements ready except for a good jazz flute solo. The audition is in 2 months plz help.
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I'd like to play it with my sister, we are both Grade 8 ABRSM. I've trained making it myself but it's not good at all :(
and probably fill you w/ memories from your childhood
i don't know
I know I do.
Any song suggestions would be very helpful. Also, if you have any other places I could post this question please let me know. Thanks in advance for any suggestions anyone gives.
-Edit: There is only one week left before the test.
Mine is my rondo for a sonata collab
can i please join i play saxophone
the glug: https://www.polyphone-soundfonts.com/en/files/24-sound-effects/479-glug
let me know if this works and then I can add more, thanks
and if you think other wise go jump in a river
So I usually am not in the presence of staff paper, and I absolutely love graph paper for many things, so I created my own system of notation for when I have graph paper but no staff paper. It’s rudimentary and inefficient, but it makes practical sense. It’s not really meant to play off of, it’s more meant to keep track of rhythms and pitches for future use. Currently I’m using this system to transcribe and transport the sax solo from Youngblood Brass Band’s “Brooklyn” into Flat.io without changing tabs or removing instruments. I’m mildly proud of this system; I’ve used it in the past, up to a year ago, but I’ve refined it.