If you want to listen to what I have so far of The Storm, here it is:
It just so happens that I have been getting rain for 3 days straight here in Ohio.
I finally finished working on this piano duet today. Any name suggestions welcomed, as well as any other feedback!
Hi everyone :)So I need to choose my best rondo I composed for practicing it in my summer holiday (I know sometimes composers don^t know how to play their own pieces) so I need your help. All 3 rondos are in my profile but I will leave the links here for easy access. Thanks to all the people who read this and helped me:) Love you all <3
Can someone do a piano cover of Cold As Stone by Kaskade?
Hello! I uploaded some new music (kinda - I wrote it a few years ago), and I was hoping some of you could take a listen! It's a Sonatina, and I've been calling it the "Procrastination Sonatina" in my head, since I wrote it to avoid practicing a piano piece I wasn't too fond of. (Here's hoping my teacher isn't on here.)
Spielst du eigentlich ein Instrument? Wenn ja, welches?
Hi! I was wondering if you would like to view my compositions. To avoid rhythmic glitches, please print them off of piano shelf .
Hi! I was wondering if you would like to view my compositions. To avoid rhythmic glitches, please print them off of piano shelf
I had this idea last year of composing a suite that represents different types of weather. But it wasn't until yesterday that I started composing part of this suite. As you can probably tell from the post title, this part of the suite is supposed to represent a storm. That is why I chose the key to be a minor key. I went with C minor because it is the easiest of the minor keys for me to improvise in. I would have used 8va for the sixteenth note runs in the right hand. Problem is, the section that would be 8va goes by so fast that I'm not sure where to start the 8va. Similar thing goes for where I would typically use a clef change. So outside of the first few bars, I haven't put in any 8va markings or clef changes.
I have been doing these things to get across the feeling of a storm in the piece:
- Keep the 16th note momentum up except for places where I decide to use a harmonic progression
- Use scalar passages with leaps to represent the strong wind
- Stark dynamic contrast(Like it quickly goes from pianissimo to fortissimo in the beginning 5 bars)
- Staccato to represent the rain
- Fast octaves to give a sense of turbulence(which is very fitting for music that is supposed to sound like a storm)
- Use the Fate Motif underneath a long scalar passage to give the feeling of a lightning flash
- Use harmonic progressions to represent the thunder
- Use diminished 7ths more often than dominant 7ths
Here is the link to the piece if you want to give me feedback on what I have so far of it:
Finished arranging Dance With the Devil by Breaking Benjamin! I've got a few other scores finished that will be on their way shortly!
Hi guys, this is my first piece I've uploaded to musescore:
I originally made it in Noteflight and then discovered Musescore and converted. Feedback is welcome!
I don't know where im going with this. If someone could give an idea or an suggestion or anything, please do so
here's a link to the monstrosity itself:
pleaz spam discussions
hey, so me and my friends want to put together something for our last ever concert but need some help. it needs to be based on film as that's the concert theme but we don't want to do something boring or typical.
(possibly guitar if possible but we can make something work otherwise)
any help would be much appreciated as the concert is in 10 days!! thank you :)
So after listening to Bach's Cello Suites and his Flute Partita, I figured I would do a similar thing but for bassoon. The fact that I am writing for bassoon is partly why I decided to start with an overture instead of a prelude(French overture if you want to get into the specific type based on speed pattern). That isn't to say that the slow section won't include some fast 16ths but I have been adding long notes as I see fit.
I only have 13 measures so far, so I'm not thinking of uploading the piece yet. But I can only use the singing method for the alto range and low soprano pretty much(my natural soprano has gotten limited and squeaky over the years, and not because I overused my soprano so unlike before where I could easily sing up to a high G in my soprano, I can barely get a high C out) which means that as soon as the notes are in the range of a bass voice or a low tenor, I can't use the singing method to check for slur placement at all and in the soprano range, it isn't going to be all that accurate(Not that I would have the bassoon going into a soprano range all that often anyway).
And I myself do not play bassoon, partly because the instrument, even at beginner quality is like $3000 worth. Whereas my beginner quality flute, I got for less than $100. That is quite the price difference between the cheapest and most expensive woodwind at beginner quality, excluding auxiliaries.
If I did play bassoon at an advanced level, I could just write down the notes that I want without worrying about slurs, play the notes as written, and see where I run out of breath and how I naturally phrase it. The breath and phrasing together would determine where to put the slurs. But because I don't play bassoon, and I don't have a friend who I know is a bassoonist, this method won't work either.
So if my vocal range is limited pretty much to alto and low soprano making the singing method not viable for bassoon and I don't play bassoon, nor know a friend who plays bassoon, how am I supposed to determine where to put the slurs in my Bassoon Suite?