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What instrument do you play?

I know this group is dead. It makes me so sad, since TwoSet is still alive and well. If we want to compare to Reddit, we've got to step up our game!!! I'm new and I'm sure other new people have tried when they joined to revive the group, but it doesn't mean I'm not going to try!

So, I know that a lot of TwoSet fans don't play violin (some don't play instruments at all). I wondering how many members here actually play violin?

I'll start us off. I play piano, and have been for the last 4 years (so, relative amateur). I don't play violin and all I know about it is from TwoSet, though my brother just picked up the violin.

Flute Sonata in Eb, need some feedback

If you haven't seen it yet, here is the link to my flute sonata:

https://musescore.com/user/50070/scores/5703661

I nicknamed it The Haydn Sonata because I am trying to get across a Haydnesque feel to it. I have noticed these things predominant in each composer of the Classical Period Trifecta:

  • Haydn: Humor, melodic and harmonic surprises
  • Mozart: Alberti bass, effortless grace
  • Beethoven: Sheer power, even when the melody is more lyrical

Haydn is the one who inspired me to write this flute sonata. I wrote the sonata exposition in just an hour and this is the first sonata for a duet that actually has a finished exposition.
 
There are quite a few surprises in my sonata exposition. Here they are:

Bar 5: Sudden entry of the flute and absence of the piano
Bar 6: Sudden reentry of the piano
Bar 10: Short diminuendo, like the theme isn't quite done yet
Bar 11: Short staccato variant of the theme over a syncopated bass
Bar 14: Sudden forte cadence, theme is now finished
Bar 15: Piano dynamic in transition material right after a cadence at forte, sudden absence of the flute
Bar 21: Forte dynamic when transition material is taken up an octave, flute comes back
Bar 26: Piano dynamic yet again, descending trill motive
Bar 41: Very busy texture as the repeat comes closer
Bar 47: Sudden change in texture, sudden dynamic change as it repeats

I'm wondering, is my sonata exposition Haydnesque in its nature? I tried to get a Haydnesque feel to it by being more humorous than serious with the music. Anything impossible for the flutist? Does it feel like a Molto Allegro to you(tempo is at quarter note = 140 BPM)? Or should I just take the Molto off and just have Allegro as my tempo marking?