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Can anyone give me any kind of feedback/advice/opinion on this etude i wrote for the classical guitar?

 This is my 2nd etude, i accidentally wrote the descending part of the opening scale and through a sort of inversion i did the ascending part, i found the unevenness in the structure of it every time it repeated to be interesting, so i got inspired to develop this strange idea into a cohesive melodic piece, took me all day of just being in a lunatic composing mode to complete this piece, which honestly didn't expect a full piece in one day since i am very slothful with writing music, and considering how long i have been playing guitar, my theory is kinda weak, i am not even sure what key this is in, please don't be afraid to give any harsh criticism, i accept literally anything, oh and i am especially interested in thoughts about this being a good guitar etude, because even though i wrote this for guitar, i havnt been able to play it because i am in the middle to learning other music so eventually expect to see fingerings and slur signs everywhere! https://musescore.com/user/26880706/scores/5851857 

What are y'all favorite artists/songs?

I really really like Disney music in general. (don't judge even tho I'm a teen) XD. I also like Imagine Dragons and Twenty One Pilots. I don't really have a favorite song tho....... Also, help. I've been bored lately and do y'all have any cheesy/corny jokes? LOL. Follow me on ROBLOX: smartypants0926. I haven't been active lately cause my dad blocked Roblox sooo. But my friend is helping me earn money on certain games while I am gone. CYAAAAA LATer!!! 

Introduction & Transposing

in Brass

Hello.  I'm a new member of the group & a fairly inexperienced musescore user.  I've been playing the trombone for 51 years & the euphonium & baritone for 42.  @ 10 of those years professionally & 25 semi-professionally, & the rest just for fun.  I've played in many groups of different styles, but my favorites have been big band, brass quintet, & symphony orchestra.  I've also enjoyed tuba-euphonium ensembles & trombone ensembles.  Merry TubaChristmas is one of my favorite annual events.  Due to pain & wear and tear, I've recently had to put down my trombone - at least for  a while.  But I'm enjoying playing my new euphonium.  I've been arranging for big band & brass ensembles for more than 20 years.

This may be the wrong place for this question... Is there a way to transpose & print the transposition?  Thanks in advance.

First Musescore Uploads

I am pretty new to composing (only started 2-3 years ago) and I would like any critique, feedback, or suggestions, etc. for some of my original comps.

This would be greatly appreciated Thanks :)

| LAKE OF SERENITY |
https://musescore.com/user/20379356/scores/5799231

| RISE AND FALL |
https://musescore.com/user/20379356/scores/5799208

4 2017 Original Comps
https://musescore.com/user/20379356/scores/5799282

Just finished a suite for solo cello, comments and advises are welcomed

https://musescore.com/user/6595486/scores/5826114

I started the first section as an exercise for modulation, and then decided to expand it into a dance suite. I wrote the sections in the following sequence: prelude, gigue, sarabande, allemande, and minuet.
The minuet was written yesterday during a day-long severe headache, which is a little different from the other parts. I am not sure if it sounds alright here, or I should replace it with a "normal" one.
Any comments about this suite is welcomed!

Also, I would be grateful if cellists can help me to correct the notation (many thanks to Teodor Lontos for his previous help).
And to you, I have 2 questions:
1. Above which pitch would you prefer a treble clef?
2. For a piece with changing tones, would you prefer key signatures or just mark it with the notes (as the present version does)?

Thanks and have a nice Sunday.

Hi y'all!

 I uploaded a scherzo for solo violin , check it out:



https://musescore.com/user/30906161/scores/5815070


It's really horrendous !


Hope you enjoy!

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This is how all high school Clarinet sections are.

Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.