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This is how all high school Clarinet sections are.

Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.

Reached composers block

So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.

I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.

Need help finding solo piece for Flute!

Hey all! I'm going to audition for my local junior orchestra in the fall, and need some advice... here are the requirements:

  • A solo or piece of your choosing that fully demonstrates your finest playing, such as a piece you are working on in lessons or a piece you performed with your school
  • A classical concerto for your instrument of your choice
  • Major scales and arpeggios up to four flats and sharps
  • Melodic minor scales and arpeggios up to four sharps and flats
  • Sight-reading


I have the last four down, I just need help finding a solo piece. If any of you have any suggestions, i'm in need!

~Patronus_1

Help needed from flutists/flautists(?)

Hi, I was wondering, are there any flute players that have Mark Karen’s ‘The Flute Etudes’ book? I’m trying to help out a friend after hearing that the flute etudes used by TMEA are among some of the hardest. I know that most of them that were selected by the author are in public domain, but I don’t know which ones. If you could tell me which etudes are used in the book, that’d be greatly appreciated.

Infamous 16th note Passages & Band Excerpts

I wanna know some lists of pieces that you all have played during your time in Band in School, and What are some pieces that you all have played with some of the most Infamous straight 16th note runs that last for more than 16 Bars in the Woodwind Parts in Band Pieces? I have one to start it off and it's Metroplex by Robert Sheldon, has anyone ever played this piece or anything just as bad like it?

Saxophones - The Traitors

A long time ago, there were peace between the woodwinds and the brass. No one disturbed one another, no one interacted with the other. It was until a clarinet got rich and married a trumpet. This was how the saxophones were created, - those disgusting brass clarinets, who once were part of us, but now are part of our past.

Almost reached 50 follower milestone

If you don't know already, I am now almost at 50 followers. Currently I have 39 followers so just 11 more and I will have reached the 50 follower mark. I had maybe like 4 followers 2 years ago. So clearly, I'm doing something right. My most recent score called The Storm just brought me 2 more followers. I suppose they followed me hoping to someday see the entire suite that I plan on The Storm being a part of. That suite I call Weather Music. Maybe I should compose another part of the suite for that 50 followers mark, upload it when I reach 50 followers, and then whenever I have finished the suite, upload it in its entirety.

If you want to listen to what I have so far of The Storm, here it is:

https://musescore.com/user/50070/scores/5611423

It just so happens that I have been getting rain for 3 days straight here in Ohio.

Update 1: 6/18/2019

Oh my goodness, 4 followers in a single day. That is a record for me, I am now at 43 followers. I don't know if the follower milestone or finishing the composition will come first. If the follower count does come first, that's fine. I'm not pushing myself to finish the 50 follower composition.

Update 2: 6/19/2019

Wow, 5 followers in 1 day. I don't think I will finish my 50 follower composition before I reach 50 followers. Often my composition process is slow, so don't be surprised if a week has passed and I still haven't finished the composition yet. I will get it done when I get it done. I emphasize quality over quantity with my compositions.

Update 3: 6/24/2019

I'm just 1 away from reaching the 50 followers mark. As for the composition, I'm about halfway through composing it.