So I have uploaded the work in progress. I finished orchestrating the exposition of the first movement and figured I would want some feedback on it before I go any further. Here is the link:
So whenever I open musescore to play this song it always plays with the soundfont I have assigned to the song, yet whenever I upload it to musescore, the soundfont doesn't play and the song doesn't sound as good with the normal audio..
Is there a way to upload a song with it's soundfont still attached?
section of a string quartet any tips?
Fugue writing is very hard for me. I mean coming up with a single subject and countersubject is easy. The hard part is making those melodies into an entire fugue, especially when I reach the part with free counterpoint where I just like do my own thing but follow the rules of counterpoint.
I mean on the one hand, where I do my own thing, I can have any melody I want as long as I follow the rules of counterpoint such as no parallel octaves. But those rules also seem to restrict my creativity within a key and I have to resort to modulation. Also, I often end up breaking the rules anyway, especially the no parallel octaves rule.
Is there any way besides looking and listening to analyses of fugues, composing fugues, and listening to fugues, and studying counterpoint(all of which I have been doing), that will make composing a fugue easier?
I uploaded my nocturne. Here is the link:
I would love some feedback on it. I have heard from another person that I kind of use the same rhythm over and over. I honestly didn't plan on changing the rhythm because nocturnes typically will have a triplet rhythm. And the rhythm of the melody I think is part of why it sounds so beautiful to me. Also it is Bb which is a key I associate with a moonlit night.
I composed it over 3 days. Anyway, what do you think?
Hey guys! This is the first time I ever wrote an atonal piece, so I would like some advice and critique!
I want to use musescore to do the most basic of note entering, without complications of time and key signatures, etc. How can this be done without going through the hoops of learning music scoring? I just want to enter the notes of psalm tones, period.
Is this possible?
This suite is titled "Fantasy Suite" but the individual movements also have names. You can find more details about them in the descriptions. Thanks!
Critique is well appreciated! :)
I wrote something but don't really know how good it may be, because I don't play any string instrument and this is my first time of involving string instruments in my work, please advice me......VERY WELCOME
just finished a new piece and would like to hear your thoughts about it, for better or worse.
I have been working on this piece for like seven months and I just can't seem to get anywhere with it.... any ideas or suggestions for the piece
Finished transcribing this from this source material: https://www.youtube.com/watch?v=eZMI4DavIu0
How does my score compare to the source material in terms of accurateness? Also, are there any general formatting mistakes in the score?
I generally classify my pieces by first putting the tempo and then the key. Ex.
Moderato in D Major. There's this one piece that I'm working on that starts at 80 bpm then goes to 120 bpm in the second part. Should I call it Andante in E or Moderato in E?
All feedback is appreciated, I'd love to know your thoughts on this. Thanks!
I'm currently doing a collection of pieces in all 24 keys, for piano solo. I need help completing the set, so I'd appreciate it if you'd help out composing a short (less than or around 4 minutes) in G# minor (for now). The only criteria it must fulfill in order for it to be considered in the project is that the style of the piece must be different from the rest. Example: the piece in F major is written in a waltz, the one in Eb major is written 4/4 against 3/4, C minor has a Prokofiev (I think) feel to it, F minor is written in jazz, etc. Also, it must show some form of virtuoso/impressionism (whichever you are aiming for). I am interested in the dances forms (tango, marzuka, minuet, sarabande...), but anything goes for now. Credits will be given for the piece if it makes it in, as well as a favourite and a follow, very well deserving.
Here's the piece:
PS: I might reject some pieces if I find the piece unsuitable for the project, I'll also include critique/reasons for the said decision.
Love to hear from you guys!
My favorite music genre is baroque, harpsichord specifically. My favorite thing about are the intertwining melodies and independent counterpoint. I've only managed to write something with such counterpoint that actually sounds good a few times. I'm wondering if anyone could tell me some ideas on how to add this counterpoint, what notes I should use, how it could sound. The sound I'm looking for is somewhat like this
For school a group of friends want to perform Africa by Toto. We have no idea how to write the music and we need some help. If you have free time please can you write a music sheet for cello, trumpet and flute for the song Africa. We would really appreciate it! We are beginners so the pieces should not be too hard. Cello has most experience then trumpet and flute. PLEASE HELP!