So I have been wanting to write a symphony for years. And I have tried and tried and every time, I have failed to get past the first few measures of the first movement. I feel like an extreme composer's block when I try to write a symphony. When writing a piano sonata, it is easy for me to figure out what to do next. But the symphony, it just overwhelms me. I have studied orchestration, sonata form, music theory, every prerequisite to symphonic writing. Novel writing on the other hand doesn't overwhelm me even though, like a symphony, it is writing on a massive scale. So I was thinking that maybe doing a scene outline, like I might do for a novel, would help when it comes to the piano reduction of the symphony themes and eventually going full orchestra. Essentially then, I would be putting my symphony to words.
I got a book of staff paper from Barnes and Nobles that has 120 pages of 12 staves. I wrote on the front cover of it, where there are 3 lines this:
Symphony no. 1
The War Symphony
The majority of my influence comes from Beethoven, especially for large scale works. In fact, other times I have tried to write a symphony, I really ended up with a mashup between Symphony no 5 and Symphony no 9, if I ended up with anything past a few measures. Thankfully the cover of my new book is waterproof so if I accidentally spill something, I won't necessarily end up with wrinkled paper.
When I listen to symphonies, or really any classical music, I rarely ever go past Debussy into modern works. Most of them I find are so atonal and dissonant that it is like a beautiful mom ended up with almost all of her children being ugly. I would be so in to a Classical Period Composition revival movement. But others have said that if I rely so heavily on Beethoven, my symphony won't get the appeal it deserves. But the only other option I see is going down that atonal route which just feels instinctively wrong. Not just wrong but instinctively wrong. Key shifting I don't mind. There is a lot of that in Symphony no 9(Like Dm -> Bb -> Cm for example) But being completely atonal? No way I would want to do that. I have heard atonality and about the only atonal piece I like is Mars by Gustav Holst. The rest I have listened to are too dissonant. Too reliant on diminished chords as tonic chords.
Sorry for the post being so long but I was wondering if any of you could give me advice on writing a symphony.
hey, any suggestions you could make of this would be appreciated
Hello composers, greetings from Spain! can i have feedback on my new score? Thanks!
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Hi guys, many of you may not know me because I have never posted here. I'm relatively new here and I do mainly offline solo compositions, arrangements, covers and remixes. Just posted one on MuseScore and want some of your feedback for future work. Would appreciate constructive feedback! Thanks :) https://musescore.com/gavinliu3/battlefield-instrumental
I am the Owner of The Academy for Contemporary, Jazz & Gospel Music of Southern Africa. We offer graded examinations systems in Contemporary music in South Africa. We are currently exploring all options and we are looking for people that are willing to contribute towards the promoting of music in various forms. One of our needs is someone that is willing to do arrangements of standard scales for us in the following way: The scale(in not a standard way) in one clef either Treble or Bass and a melody of a known music piece in the other clef so that the scale forms part of a unique music piece.
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Musical Greetings Dries
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is this considered a piano concerto or not?
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