Prelude and Fugue in D minor (Opus 8)

1 part17 pages08:36a day ago63 views
I originally wrote this piece for Lake George Music Festival Composition Competition, when it was still open for non-junior artists. The four-voiced fugue is unorthodox in that the answer comes (m101) after the counter-theme for the second part of the subject is introduced.

Prelude and Fugue in D minor (Opus 6)

1 part11 pages07:293 days ago49 views
Finally got around posting this work from a few years back. The prelude switches between its three-voiced chorus and its simple two-voiced, one-bar pattern. In the three-voiced fugue, the counterthemes get towards the end rhythmically more complex, but the main theme stays throughout the same (except
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Simple Canon in D Minor

1 part1 page00:252 days ago46 views
It's probably riddled with errors but I haven't posted anything in like 4 months so
feedback would be appreciated

Song in A

2 parts3 pages01:402 days ago35 views
Flute, Piano
A song for a soprano and keyboard. I chose the flute as a substitute for the musescore voice for obvious reasons. Suggestions(if even needed) are, as always, welcomed with open arms, so long as they don't alter the rhythm; I have lyrics in mind.

Sinfonia to Passion acc. to St.Luke

11 parts16 pages02:092 days ago73 views
Flute(2), Oboe(2), Strings(2), Viola, Cello, Contrabass, Harpsichord, Organ
A short sinfonia to an in-the-works English setting of St. Luke's passion.

The structure and style of this movement evoke the wonderful opening sinfonie of Zelenka's "Gesu al Calvario" and "I Penitenti al Sepolchro del Redentore". Unfortunately, only holographs of
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Fugue A minor - update 6/16

1 part3 pages02:1922 days ago284 views
New fugue project
Update 1: 5/30
Update 2: 5/31 (fairly minor, but important updates to already-existing material)
Update 3: 6/2 (adapted some suggestions by BSG, added more)
Update 4: 6/16 (new part - finished fugue)

Three Renaissance Versi

1 part1 page01:3611 days ago91 views
06/16/2019 I changed the tuning to quarter-comma meantone, keeping a' = 440 Hz. This makes especially the third, chromatic verso sound interesting (unequal diatonic/chromatic steps).
You may pay special attention to the 2nd beat of the penultimate measure: The augmented 5th Bb - F# appearing
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Piano Sonata no. 3 in D major "Grande Sonate", Opus 5

1 part57 pages38:3810 months ago1,152 views
Dedicated to contemporary classical music composer, Pasquale Toscano. The form of the movements are quite formal: 1st mov., Sonata form, 2nd mov., Scherzo, 3rd mov., Ternary form (ABA), and 4th mov. (The strangest tonal work you'll ever listen to), Sonata-Rondo form (ABAC [C being development] ABA)
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Fugue N°6 en Do Majeur

1 part3 pages01:595 days ago103 views
Hi everyone ! Here is the sixth fugue of the second book ! I am yet working on it, but I wanted to show the result now, because I didn't publish anything for a long time ! Hope you'll like it !