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I would like you appreciate this peruvian piece.
I would appreciate your feedback for this score. It's the continuation of the first "FORTNITE DANCES - Saxophone Quartet"
Saxophone (no matter what type we are talking about: alto,tenor, soprano, bari or some less used ones) is so-called “transposing instrument”. It means that you are “in a different key” than “concert pitch” instruments, such as piano, guitar, (double) bass, etc. If you are not familiar with the “transposing instruments” thing, I suggest that you read the first section of the wiki article before continuing with this review, it is pretty well explained there:
So, to get the pitch you need when writing some sax part, you need to transpose it up (from concert pitch):
- For soprano sax: a major 2nd
- For alto sax: a major 6th
- For tenor sax: a major 9th (1 octave + major 2nd)
- For bari sax: a major 13th (1 octave + major 6th)
As you can see the difference between soprano and tenor is one octave (as well as the difference between alto and bari).
Soprano and tenor saxes are called "Bb instruments", it means that for the “C” note in these instruments’ part the actual sounding pitch will be “Bb”.
Alto and bari saxes are called “Eb instruments”; so if you write the “C” note in some part for this instruments, you will actually get the sound of “Eb” concert pitch once it is played.
All this stuff seems to be quite complicated for someone that has never dealt with transposing instruments before, but using MuseScore notation software you can quickly make parts for saxophones even if you do not know all this transposing instruments theory (though this knowledge is vital for composers). There is a quick video tutorial on the topic, I'll post a link in the end of this post.
One more thing to remember: once you have written some sheet music for saxophone, check the range - the saxophone part (make sure that it is not shown in concert pitch, so unpress the “concert pitch” button in MuseScore editor while viewing the part) should have pitches only inside this range (from small octave “Bb” to 3rd octave “F”) :
The only exception is bari sax - it has the additional low “A” note, which, by the way, sounds pretty cool. Good arrangers, like Gordon Goodwin, often use this feature of bari saxophones. Of course, there are also altissimo pitches, but that is a separate topic for conversation.
If you wish, you can check the whole sax family at:
This table from wikipedia is really “true to the fact”. Sopranino and sopranissimo saxes sound “higher” than concert pitch instruments: I mean that the first-octave “C” notated in sheet music for these instruments will actually sound as 1st-octave Eb and Bb respectively. All other saxes sound “lower than written”, just remember this rule. However, the most used saxes have been already mentioned before, so other ones are pretty rare,I should say.
And one more thing to be aware of when writing a piece for sax ensemble: saxophones and saxophonists are not perfect, and an arranger, especially writing for an amateur/student sax ensemble, or even for big band, should try not to overuse (I write the pitches that occur in sax part, not in concert pitch, of course) notes higher than 3rd octave C# (high notes tend to sound out-of-tune-high) and lower than 1st octave D (on some medium quality saxophones it’s hard to play those pitches, especially if saxophone is not in a perfect condition).
Don’t hesitate to add some thoughts and more tips on the topic in comments.
Would anyone here be willing to arrange Crazy la Paint by Minimusicman for a saxophone quartet of two altos, a tenor, and a bari? I think it could really sound great and be lots of fun since it kind of has the feel of an energetic reel, but I'm definitely not up to the task yet.