Sheet music for Piano, Strings, Voice

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I have created a twelve tone matrix, and you are challenged to create a piece out of it (you may participate if you wish)!https://drive.google.com/open?id=1K6ncFZWKIornq3NE0lcV-vCO5s-rpg13
I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not? 4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not? 6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further? Here is the link to my polonaise score:https://musescore.com/user/50070/scores/5682039How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise. 
I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not? 4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not? 6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further? Here is the link to my polonaise score:https://musescore.com/user/50070/scores/5682039How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.

Django

10 parts25 pages02:0820 hours ago13 views
Voice(2), Cello, Flute, Strings(2), Piano(2), Bass, Percussion

The way we were

10 parts19 pages02:11a day ago20 views
Voice(2), Cello, Flute, Strings(2), Piano(2), Bass, Percussion

Nieba i ziemi Królowo

14 parts24 pages06:36a day ago10 views
Flute(2), Clarinet(2), Alto Saxophone, Tenor Saxophone, Trumpet(2), Trombone, Tuba, Strings, Piano, Guitar, Voice

愛の芽生え

31 parts8 pages01:562 days ago9 views
Voice(3), Flute(2), Oboe(2), Clarinet(2), Bassoon(3), French Horn(2), Trumpet(2), Trombone(2), Tuba, Timpani, Percussion(4), Harp, Strings(5), Piano

Dream

11 parts39 pages04:345 days ago3 views
Piano(2), Percussion(2), Guitar(2), Bass, Voice, Strings(2), Organ

God bless

10 parts47 pages04:285 days ago0 views
Guitar(2), Percussion, Bass, Viola, Organ, Strings, Piano(2), Voice

Cloudy night

16 parts98 pages08:285 days ago6 views
Piano(2), Percussion(3), Strings(2), Guitar(2), Bass, Viola, Organ, Voice(2), Cello, Piccolo

Lemon

9 parts36 pages04:086 days ago5 views
Strings, Voice(2), Guitar(2), Piano, Percussion(3)

Come Home

11 parts35 pages04:057 days ago21 views
Oboe, Voice, Guitar, Other Woodwinds, Accordion, Synthesizer, Strings, Percussion(2), Piano, Cello