Impression no 3

1 part2 pages01:0225 days ago136 views
Piano
https://musescore.com/user/20360/sets/191913 These six Impressions I composed even before I started with MuseScore. In 2010 I worked in a team with six colleague's in a library. With these pieces I simply wanted to demonstrate how easy it is to compose. Just take a newspaper article, or a tv programme, and derive a concept from it. However, I had not much experience in writing for piano. So I was not prepeared for the expressive potential of the piano. I already used complex chords, but on the organ, a somewhat detached instrument. But now I discovered new potentials. So the first three pieces are just plays, although no.2 is far more profound. From no.3 on it became more serious, more inspired by great literature. And so, you could say, no.3-4 were my first emotionally matured piano pieces.

Impression no 2

1 part1 page01:3025 days ago60 views
Piano
https://musescore.com/user/20360/sets/191913 These six Impressions I composed even before I started with MuseScore. In 2010 I worked in a team with six colleague's in a library. With these pieces I simply wanted to demonstrate how easy it is to compose. Just take a newspaper article, or a tv programme, and derive a concept from it. However, I had not much experience in writing for piano. So I was not prepeared for the expressive potential of the piano. I already used complex chords, but on the organ, a somewhat detached instrument. But now I discovered new potentials. So the first three pieces are just plays, although no.2 is far more profound. From no.3 on it became more serious, more inspired by great literature. And so, you could say, no.3-4 were my first emotionally matured piano pieces.

Impression no 1

1 part2 pages01:1625 days ago44 views
Piano
https://musescore.com/user/20360/sets/191913 These six Impressions I composed even before I started with MuseScore. In 2010 I worked in a team with six colleague's in a library. With these pieces I simply wanted to demonstrate how easy it is to compose. Just take a newspaper article, or a tv programme, and derive a concept from it. However, I had not much experience in writing for piano. So I was not prepeared for the expressive potential of the piano. I already used complex chords, but on the organ, a somewhat detached instrument. But now I discovered new potentials. So the first three pieces are just plays, although no.2 is far more profound. From no.3 on it became more serious, more inspired by great literature. And so, you could say, no.3-4 were my first emotionally matured piano pieces.

4. I heard a Fly buzz – when I died –

1 part2 pages02:13a month ago65 views
Piano
(591) I heard a Fly buzz - when I died - The Stillness in the Room Was like the Stillness in the Air - Between the Heaves of Storm - The Eyes around - had wrung them dry - And Breaths were gathering firm For that last Onset - when the King Be witnessed - in the Room - I willed my Keepsakes - Signed away What portion of me be Assignable - and then it was There interposed a Fly - With Blue - uncertain - stumbling Buzz - Between the light - and me - And then the Windows failed - and then I could not see to see - Emily Dickinson

2. The fascinating chill that music leaves

1 part1 page02a month ago80 views
Piano
(1480) The fascinating chill that music leaves Is Earth's corroboration Of Ecstasy's impediment — 'Tis Rapture's germination In timid and tumultuous soil A fine — estranging creature — To something upper wooing us But not to our Creator — Emily Dickinson

1. And show a further Sea -

1 part2 pages01:08a month ago56 views
Piano
(695) As if the Sea should part And show a further Sea — And that — a further — and the Three But a presumption be — Of Periods of Seas — Unvisited of Shores — Themselves the Verge of Seas to be — Eternity — is Those — Emily Dickinson