Part II

Part II: The Major Scale, Natural Minor, and Modes

  1. Natural Minor

    The natural minor (Aeolian) scale in five positions and three-notes-per-string patterns across the whole neck.

  2. Major

    The major scale in five positional patterns and three-notes-per-string forms, with full-neck fingerings.

  3. Creating Modes

    How the seven modes are created from a parent scale — and how to see and hear each as a scale in its own right.

  4. Dorian

    The Dorian mode — a minor scale with a bright raised sixth — in five positions and three-notes-per-string patterns.

  5. Phrygian

    The dark Phrygian mode with its flatted second, mapped across the fretboard in positions and full-neck patterns.

  6. Lydian

    The airy Lydian mode with its raised fourth, shown in five positions and three-notes-per-string forms.

  7. Mixolydian

    The dominant, bluesy Mixolydian mode with its flatted seventh, in positions and full-neck fingerings.

  8. Locrian

    The unstable Locrian mode with flatted second and fifth, mapped in positions and three-notes-per-string patterns.

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