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who is chinadoll?

Some folks have wanted to know, "who is chinadoll?" These one or two folks are musescore members with an abundance of free time and curiosity about trivial issues that have nothing to do with music composition. That said (written), let us (me, this is confusing) be clear, they are very nice people and chinadoll is deeply touched (in the head, most likely) by their interest. So here goes.
  
Chinadoll has beautiful glossy golden brown hair, large soft eyes, a very quiet shy disposition along with an exceptionally sweet and gentle nature. Chinadoll loves loves fresh fruit (especially bananas) and vegetables. Yes, chinadoll is a Syrian Hamster with a bit of a talent for composing music. Late at night when everyone is asleep, chinadoll will tap out the notes on the home computer using her little paws. She loves attention and lots of gentle petting (especially if you give her a treat).

First Musescore Uploads

I am pretty new to composing (only started 2-3 years ago) and I would like any critique, feedback, or suggestions, etc. for some of my original comps.

This would be greatly appreciated Thanks :)

| LAKE OF SERENITY |
https://musescore.com/user/20379356/scores/5799231

| RISE AND FALL |
https://musescore.com/user/20379356/scores/5799208

4 2017 Original Comps
https://musescore.com/user/20379356/scores/5799282

Nocturne in Eb arrangement, feedback

This is the first time that I have arranged a Chopin piece. Not only that, but it is the first Chopin piece I ever played, so I am very familiar with this piece. I know, I need a countermelody or something along those lines for the first violin. But there is a bit of a problem stopping me from doing this. That is just how close the second violin  gets in pitch to the flute. 

Typically, there is less than an octave of space between the second violin and the flute in any given beat. That doesn't allow for many countermelody notes if I want to keep things relatively consonant. And of course I want to keep things relatively  consonant because of the beautiful melody in the flute. I also don't want to have the countermelody have so many short notes that it becomes the main melody. The flute is playing the main melody and I don't want  to underwhelm that(I already get close to that with some of the forte dynamics). 

There are no slurs in what I have written, mainly because the phrasing of the bass line is super clear just from the notation and, I have no idea where a flutist would take a breath. I can only barely get the first and second octaves to sound right, still doing that C major octave scale exercise and the staccato exercise on my flute. And this is after more than a month of flute practice, so while I technically can play  melodies on the flute at this point, I am limited to legato melodies with short phrasing that aren't super elaborate. 

What do you think of my arrangement of Chopin's Nocturne in Eb? 

https://musescore.com/user/50070/scores/5895090