I was curious if there was a way to make a gock shot using the new MDL
Just uploaded my first ever piece on this website, and I would greatly appreciate some feedback to help me improve either this piece or my ability as a composer...
It's up on my profile, so if you have time please have a look and give me some constructive criticism!
Here is an updated score.
I was bored today so I decided to make this by ear. Idk how to get the first ending to extend past one measure, but I think it turned out well. Any feedback will be greatly appreciated (even negative feedback).
I uploaded my nocturne. Here is the link:
I would love some feedback on it. I have heard from another person that I kind of use the same rhythm over and over. I honestly didn't plan on changing the rhythm because nocturnes typically will have a triplet rhythm. And the rhythm of the melody I think is part of why it sounds so beautiful to me. Also it is Bb which is a key I associate with a moonlit night.
I composed it over 3 days. Anyway, what do you think?
I switched to bari about a month ago and I'm in marching band right now so I've already gotten used to most things about the bari but I still am having trouble with phrasing and just playing longer. Is there anyone who can help? Also does anyone have any other tips and tricks about other parts of playing it?
Hi everyone im new i do not know how to do these things i wanted to request a midi song if anyone can make one
All That Remains - What If I Was Nothing
Thank you if that possible
¡Hola! Espero que estén todos bien. Les hago una pequeña consulta: ¿Cómo puedo transcribir los compases 78, 79, 80, 81 y 82 de "Fur Elise" de Beethoven? Estuve intentando con varias alternativas pero ninguna me resulta. Busqué por Google y nada. ¿Qué significan esos "3" arriba de cada tres semicorcheas? Disculpen las molestias, soy nueva en este programa y me parece una maravilla. Gracias de antemano.
Hello! I hope everybody is fine. I ask you a little question: How can I transcribe bars 78, 79, 80, 81 and 82 of "Fur Elise" by Beethoven? I was trying with several alternatives but none of them work for me. I searched for Google and nothing. What do those "3" mean above every three sixteenths? Sorry for the inconvenience, I'm new to this program and I think it's wonderful. Thanks in advance.
So it has many flaws.
I won't change it though XD
Please feel free to leave your comments.
(Updated at Oct 15, 2018)
Well, I have changed some notes, because they really sound terrible XD
would love to preset automatic sticking, for CMD/T shortcut
It's a simple melody stated over 4 bars that I play around with.
Left hand is maybe a bit repetitive.
I would appreciate feedback on what I could have done differently. Particularly in the left hand to add colour.
I really love mdl but i really want the new sounds to be added and I dont think we have gotten an update since about a week after it came out
This is my first piece and although some of it is kinda weird I like it, but could I have some feedback from your point of view? I'd like to hear what you have to say.
if there are 2 eighth notes, there'll be connected automatically. I want them separated, two single eighth notes. what shall I do? I didn't find somthing in the instruction.
I hope you understand what I want to know.
I arranged the song "Invisible" by the Italian singer Umberto Tozzi.
Asap, I will also load the score on musescore.
Tell me what you think?
I am currently working on a project that sounds more like a soundtrack than a classical piece, and I have no experience with percussion instruments. Does anyone know of a good resource to familiarize myself with the different percussion instruments and their uses in an orchestra, especially as it related to soundtrack music? I know what I want the percussion in the score to sound like but I do not know the best instruments to use to make those sounds.
Any help is appreciated!
I wrote this to explain how the major scale works, as well as intervals and counterpoint. I set some rules for myself when composing this: the piece had to be diatonic, no sharp dissonances, and should follow the 'rules' of counterpoint as much as possible.
Feedback is welcome!
In the space of 2 quarter notes am attempting to write a 7 note tuplet for a snare part that matches up with a quarter note triplet on a bass part. It's a little off. The Ctrl 3 and Ctrl 7 functions work but the results don't match. I can play it but the music doesn't match up. Any help is appreciated.