I just finished this today. I'm really stoked to see what everyone thinks. Like always, Feedback is appreciated, and criticism is encouraged. Thank you.
I get stuck mostly when writing front ensemble and it usually happens with keyboard instruments whether that's finding a rhythm or a groove or trying to blend with battery or building for an impact. Any tips?
I composed a Turkish March months ago. It was my first go at rondo form and is one of very few pieces that I have written in the key of C major. C major is like my avoid key. If there is 1 key I would use least often, it is C major. Here are the reasons why:
C major sounds boring to me
Can't really get chromatic without questioning myself whether or not I am modulating(like the moment I write a Bb in a C major piece, I question myself if I am modulating to F major or not)
C major to me, is an overused key(seriously, the most common key in pretty much every music genre and from every composer from Bach to Mozart to Brahms, is C major)
So here is how I went about composing my Turkish March:
First I listened to Mozart's Turkish March from Piano Sonata no. 11 in A and Beethoven's Turkish March from The Ruins of Athens and found these similarities:
Basic eighth note pulse at quarter note = 110 BPM
Minor key used for harmony, drama, or both(mostly harmony in Mozart's case(the alternation of A minor with A major shows up in every movement of his 11th piano sonata))
Left hand sort of sounds like footsteps
I then took these and applied them to each of the sections of my Turkish March. I do use a plagal cadence early on but that is because I wanted to not have a sense of finality while still saving the dominant tendency for the PAC in the A section. Speaking of which, here are the sections:
A - Initial C major section
B - F major section
C - Up and down the major scale in the right hand, arpeggios in the left hand
D - A minor section
E - C minor section
Like Mozart's Turkish March, I also have a short coda to end the Turkish March. Here I experimented with using the major seventh as a dominant chord and I think it turned out well. I tended to use the subdominant chord to end the antecedent phrase of my periods here. I also only used C harmonic minor to transition from the E section to the C section. Overall, my harmonic progression in a lot of the sections was this:
I IV I V I
I even accented the subdominant chord in the initial C major section to give it more of a dominant feel, even though it is the subdominant. Here is a link to my Turkish March video:
Here is Mozart's Rondo Alla Turka for a comparison:
It is much faster than my Turkish March but other than the tempo and keys used and the actual melody, not much is different(5 or more distinct sections of the rondo, a section with arpeggios in the left hand and octaves in the right hand, coda for an ending with arpeggios in the right hand, both parallel and relative minor keys are used, bass notes not far from the third intervals(at most like a fifth away), octave alberti bass in the right hand in ending bars, are all commonalities between my Turkish March and Mozart's Turkish March)
What do you think of my Turkish March? Do you think I may have overused the subdominant here? I have been told that it sounds more like a gentle dance than a march but I don't know of any dance that is in 2/4 and I'm not even sure that it exists. I have also been told that there being so many thirds in the left hand muddies the piece and that it would be better if the bass note was like an octave away from where it is now.
I just installed MDL 1.2.1, but what are the changes in this version from the previous version?
For those who were interested, I have finally completed it! Comments are welcomed.
Feedback = good
I did not study music
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I just finished my very first composition (thanks to everyone who helped me think of a theme), and I would very much appreciate it if you would check it out and tell me what you think. Please let me know what I could have done better so I will learn for next time. Thank you so much! The score: https://musescore.com/user/30195625/scores/5485425
Hi, so I've been playing saxophone for about five years now, but for all this time I haven't been able to play longer than about 30 minutes when I practice. If anyone have some tips how to improve my embouchure I'll be very grateful. Thanks
Hi! I've looked through Musescore and found that there are only a few 4 octave solo pieces for the marimba. Could anyone recommend some to me? Thanks a lot!!!
This is my first completed composition. Any comments appreciated! :D
I wrote this piece just a couple months ago and would like some feedback. Be as
mean as possible. I am only fourteen and am just starting to compose. This is the first thing I've written.
Any advice helps.
can somebody make me some music for baritone
I don't know where this come from... but here it is.
Would appreciate any comments or suggestions!
You could also add some backstories according to the different parts of the piece, in accordance with the title.
Hi, just posting on for this song I made a while back. Thought I'd post it and see what people thought of it.
-*Excuse the basic chord changes, as I don't know much theory, only the basic stuff you'd learn at piano lessons
Hey guys! Please check out this piano arrangement of mine.
Please read the description. :D
Is there any fun BSA tunes I should do?