Top Groups

Discussions

JAY'S AND JOHN'S CHALLENGE GROUP!

A new group has been created by me and Jay, and we need YOU to come participate in the contest! In this group, contests for the best score will be held. Winners of the contests will receive: likes on your score, a follow by both me and John, and an announcement of your score and username for a first place shout out!! So come join today!! Can't wait to see what you've got. Contests have already started, but the next competition will be held at the end of Feb. early March. Jay and I are so excited to see you there! 
https://musescore.com/groups/jays-and-johns-challenge/
Kindest Regards, -John :D

JAY'S AND JOHN'S CHALLENGE GROUP!

A new group has been created by me and Jay, and we need YOU to come participate in the contest! In this group, contests for the best score will be held. Winners of the contests will receive: likes on your score, a follow by both me and John, and an announcement of your score and username for a first place shout out!! So come join today!! Can't wait to see what you've got. Contests have already started, but the next competition will be held at the end of Feb. early March. Jay and I are so excited to see you there! 
https://musescore.com/groups/jays-and-johns-challenge/
Kindest Regards, -John :D

Using MuseScore to Play Saxophone Music

 
I have spent a couple months learning MuseScore with the specific goal of using it to play my  favorite classical music solos and jazz music exercises from my teenage years in the 1970's.
  
I was an alto sax player in my local high school concert band and jazz band. I have only played infrequently since that time and my playing skills have deteriorated.
My two main careers have been as a design drafter and IT professional.  I decided to take the  software learning skills I have acquired from these careers and use them to play my beloved  sax music using a computer.

I started out with the MIDI Edition of Musitek's SmartScore music notation program with its  built-in Aria player on-add that uses Garritan sounds. I even purchased the Garritan's Jazz  and Big Bands add-on for Aria but found the added controls did not provide the effects I  wanted.  Perhaps with some work and/or using a Midi keyboard for input, I could get more realistic sounding sax music from the programs, but I wanted an easier (and cheaper) way. I also found SmartScore's focus was more on scanning in existing music. The amount of work need to learn to edit the scanned-in scores seemed a bit daunting.

So, I decided to try out the OpenSource MuseScore music notation program instead.  I spent about a month reading the entire manual.  I found it easy to learn and was relieved to find that my knowledge of reading music had not deteriorated as much as my manual dexterity has. I also discovered that transcribing the music is an enjoyable activity in itself.  In fact, I find writing and modifying the scores as much fun as I do to listening to MuseScore playing them.

I have now transcribed about ten scores into MuseScore and played around with how to adapt  them to get the best sounding saxophone I can. I have found that the native MuseScore alto sax  soundfont is pretty good in that it has some vibrato built in.  I also have experimented with  a number of other other sax soundfonts recommended on the MuseScore forum. I recommend that other folks who want to get better sax sounds to try these other soundfounts out too and find one that meets their particular needs.

I wish to pass on a few methods I have learned for how to adapt music scores written using MuseScore for the purpose of using MuseScore to play them and export them out as WAV files.  Of course, these hints focus on making MusceScore play in the style that I have used on my actual saxophone.

1) MuseScore does not play Breathe marks so you can leave them off of scores. You can imitate a breathe by adding short rests instead.

2) I like to play musical phrases in a swelling style where the volume gets louder as the  phrase proceeds and then gets softer as the phrase ends. To get this effect, I have to exaggerate dynamic changes for the crescendos and decrescendos.  I find the phrase has to start at "mp" or "mf" and increase to "ff" or even "fff" to get the effect I want.

3) For accelerandos and decelerandos, I have found changing the tempo for each meaure in the  range of measures where the tempo changes to get the effect I want.  Another method I have used is to literally extend the lengths of the notes. For example, using quarter notes in places of eight notes.  This works well for situations where the tempo change must be dramatic.

4) I have found I need to add more accent notes and staccato notes in MuseScore than in the original scores to reproduce my playing style. The musical scores modified in the ways I have described above would not be suitable for scores that you need to print out and have someone actually play using a musical instrument. However, they do give a bit more life to how MuseScore plays them.

I hope those wishing to use MuseSore in the way I have may find the methods listed above useful.  I would love to hear any hints others may have for using MuseScore to play in a more lifelike manner.  Finally, I wish to express by deepest gratitude to the makers of MuseScore for creating such a tremendous software program.

music sheet

 Hi, i'll contact you beacause i heard a beautiful song but i can not find the score,now if possible, some of you would be able to derive a piano music sheet of this amazing song called ''Coming Home'' by Nicolas Haelg, Sam Halabi, Adon. I would be very very grateful if make it possible. Thank you and have a good day!  

HELP! Alto Saxophone Articulation

Hello everyone,

I am a alto saxophone player who has around 2 1/2 years of experience and has been in private lessons and band the whole time

I never learned/misunderstood articulation and have been just blowing air. I believed that I sounded pretty good that way and could play advanced pieces.

Recently I learned this was wrong and I honestly sound terrible if I try to articulate. Should I play in band without articulation and practice articulation at home until I can articulate in band without sounded bad? Not sure what to do and if you all have videos for me to watch to help with my articulation (not that I think they will help; my private lesson teacher is very helpful and I still couldn't get tonguing down at all in 30 minutes; this could be because I have been playing a different way for 2 1/2 years) 

I do wear Invisalign (not sure if that makes it harder to articulate) 

Waltz progress, want feedback

So I have uploaded my Waltz in D here. It is quite unfinished. I don't even have the B section started yet. But I am thinking of using the F# at the end of the A section to modulate to another key for the B section. Here are the options I see:

B minor
F# minor
G major
A major

I can't seem to decide which of these 4 keys to go to which is why I'm asking for feedback on it.

But I wouldn't mind feedback on the harmony and melody as well.

Here is the link:

https://musescore.com/user/50070/scores/5424185

Impromptu in C minor, how to actually finish it?

So I feel very creative in the key of C minor. For something like an impromptu or a symphony, that is great. But at the same time C minor feels intimidating. C minor, out of all the keys is where my music tends to go all Beethoven. In other words, I tend to have sudden dynamic changes, sudden tempo changes, every aspect of Beethoven's style in my C minor pieces. And this makes me nervous that if I finish a piece in C minor, there is going to be someone comparing me to Beethoven in a not so great way. At the same time though, I also get the feeling that I just don't know when to stop.

No matter how many cadences I have or how many measures I have written, I seriously don't know where to stop in a C minor piece. There are so many things I can do in C minor that I typically don't do in any other key. For example having bVII going to I, in the case of C minor that would be Bb going to Cm. I also feel like the Bb note is critical for the minor feeling of C minor. Without it, it feels too much like C major for me to think of it as really being C minor and I instead think of it as a transition to C major.

So how can I overcome this nervousness related to Beethoven's style showing up in my C minor pieces and how can I actually finish a piece when it feels like so much more could be done in the key of C minor?