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JOB: Content Manager - Percussion

Ever wanted to get paid just to write for percussion - all day long?

Do you love technology, internet, social media?

Interested to work in a fast-paced, Rock 'n' Roll environment - literally (company was recently acquired by Ultimate Guitar)?

MuseScore, one of the world’s largest communities for musicians, is looking for a Content Manager - Percussion to join our fast-growing team.

Your Skills:

- Chops - DCI/WGI level
- Live to drum, love to write for percussion
- Able to work independently, see an opportunity and act
- Able to create a plan and execute against metrics
- Knowledge of all forms of percussion - drum set, concert percussion, keyboard percussion, with a deep knowledge of marching percussion
- University degree is NOT required - we care more about your practical knowledge, skills, creativity

What You’ll Do:

- Manage all percussion-related content for new premium service
- Convert percussion content from Sibelius, Finale (+VDL) to Musescore
- Manage relationships with percussion composers and arrangers
- Travel to and present at top conferences and events - PASIC, BOA, WGI, DCI, TMEA, etc.

Why Work With Us:

- Get paid well doing something you truly love
- Opportunity to make a major impact in percussion education
- Travel - not only experience life overseas, but regularly return to US for conferences & events
- Opportunity to learn new skills or explore different responsibility on the project. BTW - we have no hierarchy, only responsibilities
- A literal Rock 'n' Roll atmosphere and approach to development
- Beautiful office in the city center and no dress code
- We work differently - 9:00 AM - 3:00 PM
- Breakfast, soup, sandwiches served free throughout the day
- Push a button and get a coffee, tea, coke or even a Jack Daniel’s delivered to your desk

How to Apply:

Interested candidates should simply send a brief email outlining their qualifications/experience (full resume/CV optional) to daniel@musescore.com with subject - Content Manager - Percussion.

Candidates should be prepared for a brief 10-15 minute discussion via FaceTime/Google Meet. Understanding that many potential candidates could likely be currently touring, bandcamping, etc., we can be very flexible in accommodating schedule.

P.S. - Job is located in Europe. Candidates should be prepared to relocate, but with frequent travel to US. Relocation expenses covered by company.

Should I stick with Scherzo form or turn it into a Sonata?

I have completed the A section of my Presto piece, or at least what I have thought of for it so far. It is quite quick at quarter note = 190 BPM. This is another piece for  which I was aiming for a humorous character and I think I have done it. I titled my piece Presto in D major, because I wasn't sure if it could be considered a scherzo or not, but I did know that 190 BPM is well within the range for Presto. I also am not sure if I should stick to your typical scherzo form or if I should expand this out to a sonata form and have what I am now considering the A section be the First Theme. This is your typical Scherzo form: 


 
I sometimes, especially in Beethoven and Chopin, see diversions away from this form and more towards sonata form in their scherzos(most commonly a coda is added, but sometimes the B section is extended to be more like the development section of a sonata). But currently, what I have would be the A section if I stuck to your typical Scherzo form. In comparison, here is your typical sonata form which I am thinking of possibly expanding this piece into due to the sheer speed of the notes. I  mean, most Scherzos that I hear are at least 5 minutes long. Anyway,  this is your typical sonata form: 


 
And here is what would most likely happen if I were to expand the piece from typical Scherzo form to Sonata form: 


 
It isn't the speed or how humorous it is that is making me question whether what I have right now could be considered the start of a scherzo. Rather, it is the time signature that is making me question it. Most scherzos are in 3/4. What I have so far of my piece is in 4/4 and the only simple time signatures that it could fit into are 2/4 and 4/4 because of the Alberti Bass in it. That isn't to say that you can't have Alberti Bass in 3/4, you can. But the Alberti Bass I have doesn't fit well into 3/4. Here is my piece so that you can give feedback on it: 

https://musescore.com/user/50070/scores/5745153

And should I stick to the Scherzo form and just have it be a 2 minute Scherzo? Or should I expand it into a longer Sonata Form that might be say 10 minutes long at the same Presto tempo?