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Need help finding solo piece for Flute!

Hey all! I'm going to audition for my local junior orchestra in the fall, and need some advice... here are the requirements:

A solo or piece of your choosing that fully demonstrates your finest playing, such as a piece you are working on in lessons or a piece you performed with your school

A classical concerto for your instrument of your choice

Major scales and arpeggios up to four flats and sharps

Melodic minor scales and arpeggios up to four sharps and flats


I have the last four down, I just need help finding a solo piece. If any of you have any suggestions, i'm in need!


Hi y'all!

 I uploaded a scherzo for solo violin , check it out:

It's really horrendous !

Hope you enjoy!

                                           THAN WELCOME~

Writing a Scherzo for String Quartet, which minor key to use?

So I am writing a Scherzo in the key of Eb major for a String Quartet. And the question came to mind of what minor key to use for the Trio section. I'm pretty certain that I want to do a shift from major to minor, since most Scherzi have either a shift from major to minor or vice versa as you get into the Trio section. But the question is what minor key to use for the Trio? I see these as my options:

  • Eb minor - Parallel minor(notating it as D# minor would make it slightly easier for strings, right?
  • C minor - Relative minor
  • G minor - Mediant minor(which I generally consider to be distantly related but not as distantly related as say C major and Bb major)
  • Circle of fifths motion - These would include Bb minor(the minor dominant) and Ab minor(which for strings should probably be notated as G# minor), F minor could probably be included here too(ii of Eb)

I'm thinking that maybe I should use C minor as my minor key, since that keeps both the close relation and the ease to play, while easily adding some dramatic contrast(especially when combining this with a time signature switch, as I will be doing in my Scherzo in Eb, where the Eb major Scherzo and Coda are in 2/4 and the Trio is in 6/8). But, I don't know for sure. So, I was thinking that maybe I should ask the people in this group which minor key they would prefer to have come after Eb major in the Trio section of a Scherzo.

For some added context, several times in the Eb major Scherzo section, I tonicize Bb briefly before going back to Eb major

So would you prefer that I use the key of Eb minor since the majority of Scherzi have this parallel key switch? Or would you prefer that I use C minor because it is easy to play? Or would you prefer that I move to the Mediant minor of G minor because it kind of reminds you of the Bb major that has previously appeared in the Scherzo? Or would you prefer that I move by Circle of Fifths to a different key?   

Woodwind quintet arrangement of a double bass sonata

Dear Woodwinds, I have now finished my arrangement of Robert Fuchs' sonata for double bass and piano from 1913, whereby the piano is transformed into a wind quintet. I had a lot of fun making it and I think that shines through in the final result. I already posted about this a year ago but I only had one movement sketched out back then. Please have a listen, it might be fun.