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Can a bassoonist help me here?

So after listening to Bach's Cello Suites and his Flute Partita, I figured I would do a similar thing but for bassoon. The fact that I am writing for bassoon is partly why I decided to start with an overture instead of a prelude(French overture if you want to get into the specific type based on speed pattern). That isn't to say that the slow section won't include some fast 16ths but I have been adding long notes as I see fit.

I only have 13 measures so far, so I'm not thinking of uploading the piece yet. But I can only use the singing method for the alto range and low soprano pretty much(my natural soprano has gotten limited and squeaky over the years, and not because I overused my soprano so unlike before where I could easily sing up to a high G in my soprano, I can barely get a high C out) which means that as soon as the notes are in the range of a bass voice or a low tenor, I can't use the singing method to check for slur placement at all and in the soprano range, it isn't going to be all that accurate(Not that I would have the bassoon going into a soprano range all that often anyway).

And I myself do not play bassoon, partly because the instrument, even at beginner quality is like $3000 worth. Whereas my beginner quality flute, I got for less than $100. That is quite the price difference between the cheapest and most expensive woodwind at beginner quality, excluding auxiliaries.

If I did play bassoon at an advanced level, I could just write down the notes that I want without worrying about slurs, play the notes as written, and see where I run out of breath and how I naturally phrase it. The breath and phrasing together would determine where to put the slurs. But because I don't play bassoon, and I don't have a friend who I know is a bassoonist, this method won't work either.

So if my vocal range is limited pretty much to alto and low soprano making the singing method not viable for bassoon and I don't play bassoon, nor know a friend who plays bassoon, how am I supposed to determine where to put the slurs in my Bassoon Suite?

Thinking of making a separate account for symphonies

So, I have been planning out my first symphony. I gave it the nickname "The War Symphony". It still isn't flushed out yet but I have decided to have it be a programmatic symphony with this movement structure:

First Movement:

Key: Bb major
Aspect: Battle
Form: Sonata Form

Second Movement:

Key: F minor
Aspect: Death
Form: Not decided on yet but I'm leaning towards ternary form

Third Movement:

Key: Not decided on
Aspect: Battle again
Form: Scherzo and Trio

Finale:

Key: Bb major
Aspect: Victory
Form: Sonata-Rondo Form

The first movement is what I have flushed out the most out of all the movements so far in my plans so obviously, that will be the part I work on first. But I'm wondering, since I can't really afford a Pro membership(maybe a few years down the line I will be able to afford it but I can't currently), should I make a separate account to put my symphony score on once it is finished? And if so, should that account be just for my symphonies if I happen to want to compose more than 1 symphony?