The horrible regional tiny things we have here in the US
Also I dislike the A320 because they are really really loud and they’re just always uncomfortable
The unfortunate thing is that I go on the a320 all the time :/
pleaz spam discussions
So after listening to Bach's Cello Suites and his Flute Partita, I figured I would do a similar thing but for bassoon. The fact that I am writing for bassoon is partly why I decided to start with an overture instead of a prelude(French overture if you want to get into the specific type based on speed pattern). That isn't to say that the slow section won't include some fast 16ths but I have been adding long notes as I see fit.
I only have 13 measures so far, so I'm not thinking of uploading the piece yet. But I can only use the singing method for the alto range and low soprano pretty much(my natural soprano has gotten limited and squeaky over the years, and not because I overused my soprano so unlike before where I could easily sing up to a high G in my soprano, I can barely get a high C out) which means that as soon as the notes are in the range of a bass voice or a low tenor, I can't use the singing method to check for slur placement at all and in the soprano range, it isn't going to be all that accurate(Not that I would have the bassoon going into a soprano range all that often anyway).
And I myself do not play bassoon, partly because the instrument, even at beginner quality is like $3000 worth. Whereas my beginner quality flute, I got for less than $100. That is quite the price difference between the cheapest and most expensive woodwind at beginner quality, excluding auxiliaries.
If I did play bassoon at an advanced level, I could just write down the notes that I want without worrying about slurs, play the notes as written, and see where I run out of breath and how I naturally phrase it. The breath and phrasing together would determine where to put the slurs. But because I don't play bassoon, and I don't have a friend who I know is a bassoonist, this method won't work either.
So if my vocal range is limited pretty much to alto and low soprano making the singing method not viable for bassoon and I don't play bassoon, nor know a friend who plays bassoon, how am I supposed to determine where to put the slurs in my Bassoon Suite?
Is it possible to play the tenor trombone notes on the bass trombone I've been trying and I think I'm close
Have any of you guy ever played the USSR anthem in the middle of class? I did almost everyone had no idea what it was but then there was that one kid who started to sing it.
Hey guys there this song I’ve been listening to and I love it and I was wondering if anyone can make it for a string quartet (2 violins, one viola, and one cello) it’s called baba yetu.
I’m thinking of a lot lol.
I wanna hear yours though!
Any advice? I'd like to know more about my transitions, and maybe how to get a better soundfont for the tremolos. Thanks!
Second movement of The raven suite..
So, I have been planning out my first symphony. I gave it the nickname "The War Symphony". It still isn't flushed out yet but I have decided to have it be a programmatic symphony with this movement structure:
Key: Bb major
Form: Sonata Form
Key: F minor
Form: Not decided on yet but I'm leaning towards ternary form
Key: Not decided on
Aspect: Battle again
Form: Scherzo and Trio
Key: Bb major
Form: Sonata-Rondo Form
The first movement is what I have flushed out the most out of all the movements so far in my plans so obviously, that will be the part I work on first. But I'm wondering, since I can't really afford a Pro membership(maybe a few years down the line I will be able to afford it but I can't currently), should I make a separate account to put my symphony score on once it is finished? And if so, should that account be just for my symphonies if I happen to want to compose more than 1 symphony?