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Nocturne in Eb arrangement, feedback

This is the first time that I have arranged a Chopin piece. Not only that, but it is the first Chopin piece I ever played, so I am very familiar with this piece. I know, I need a countermelody or something along those lines for the first violin. But there is a bit of a problem stopping me from doing this. That is just how close the second violin  gets in pitch to the flute. 

Typically, there is less than an octave of space between the second violin and the flute in any given beat. That doesn't allow for many countermelody notes if I want to keep things relatively consonant. And of course I want to keep things relatively  consonant because of the beautiful melody in the flute. I also don't want to have the countermelody have so many short notes that it becomes the main melody. The flute is playing the main melody and I don't want  to underwhelm that(I already get close to that with some of the forte dynamics). 

There are no slurs in what I have written, mainly because the phrasing of the bass line is super clear just from the notation and, I have no idea where a flutist would take a breath. I can only barely get the first and second octaves to sound right, still doing that C major octave scale exercise and the staccato exercise on my flute. And this is after more than a month of flute practice, so while I technically can play  melodies on the flute at this point, I am limited to legato melodies with short phrasing that aren't super elaborate. 

What do you think of my arrangement of Chopin's Nocturne in Eb? 

https://musescore.com/user/50070/scores/5895090

THE HONEST GUITARIST

Hello and welcome to the "Honest Guitarist" a community of musicians on  common ground to mastering music in general and the guitar specifically.
First, a thank you to J.Herman for Everything Guitar and opening the way for guitar players to communicate their experiences.
To be perfectly honest and avoid wasting the readers time, let me state clearly that the ideas presented here are targeted toward the intermediate to advanced player and represents the most basic music and guitar knowledge that an aspiring musician should have command of before moving to more advanced study.
Although the material is advanced, any player should find something of interest to study or to encourage further research. 
The idea for presenting such a project was born of my own experiences.
After many years of playing I decided to further my studies under a professional tutor, only to discover many weaknesses in areas of music, harmonic function and guitar technique.
Although the experience was inspiring it was, to a greater extent, disheartening, discouraging and expensive.
While I did continue with my studies I also kept a list of things that I realized I should have known before attempting to learn at the "bended knee" of a professional teacher.

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After using MuseScore for some time and after recently completing a "master class" (I use the term loosely) it seemed to me that this great music software program could serve an excellent teaching tool to present that exact information.
Hopefully, the "scores" presented will generate some serious thought and study while the student awaits the next book or video or Heaven forbid spends a small fortune on Skype lessons.

I'm working on Book #1 and in the mean time here is a voicing of "Christmas Time Is Here"  for guitarists this season.
MERRY CHRISTMAS!