We need help taking over musescore (because the RSA empire is too big)
the new edition
Post epic memes and I will judge them
1=Not even a meme
10=The best meme I have seen
gee, it is not too early to think about Halloween, is it? After having heard many neat compositions of spooky music here at musescore, I thought, why not have a Halloween Music Contest. So submit your original fun spooky music for this contest to end appropriately on Oct 31. Can't wait to hear your compositions.
note to myself:
may 29, 2019 not profound or professional or profane nor even prodigious but probably profuse or prolific, even to being a bit profligate (but not promiscuous), and finally definitely pro-silly and pro-fun
First group i've made, Its for ALL THE THINGS, If you don't know where to put a new piece. Put it here. All other info is on the group page! Come and join!!!
For those who don’t know Polyrhythm is the simultaneous use of two or more conflicting rhythms e.g. triplets at the same time as duplets
For me I can’t wait to be done my piano sonata but I also am excited to compose a concerto for piano and orchestra!
Hey guys!! :D How are you? ♥ I would like to share my first score with you :D https://musescore.com/user/28725539/scores/5470048 I hope you like it! :3
Have a great day!! Kisses from Argentina! ♥
I play The flute. And I was wondering what piece I should play next… I learned the music really easily I've been playing with it for about 3 1/2 years any recommendations would mean a lot, Thank you!
Do you have some compositions with weird or funny soundfonts or effects? If so, you might want to post to "composers group for fun soundfonts and effects"
Share your soundfonts/effects and get feedback from others.
Hello! I've been playing clarinet for about 3 months now, but I have never quite been able to play in the upper register successfully. If any of you out there could give me some tips, it would be much appreciated!
Edit: Thank you all for your help!
i am working on a piano sonata
What is the nature of music?
What constitutes good music?
Why is musescore such a great place to compose music and hear what others compose?
Why does this iPad keep trying to change my words? In the last question, instead of "compose" it tried to change it to "can moose"
What do mooses have to do with music composition?
Is there anything wrong with writing monologues?
Why do I write monologues?
Why do I use the word "monologues" instead of "monologue"
Why is monologue spelled "monologue" instead of "monolog"?
Why are there so many questions?
When am I going to stop writing these annoying questions?
Why are you still reading this if it is so annoying?
When will this end?
Is that a question?
big thanks to the anonymous person who gave me a month of free pro musescore. so kind and wonderfully wonderfully generous.
Hi, my name is Noah (Z. Værum) and i am a composer/clarinetist and i come from Denmark, i've composed a litlle piece for 4 horns, so i hope you like it. If you want to buy it, the link is below ;)
I am seeking advice from ensemble players and/or anyone reasonably experienced with scoring for winds, especially if you have a background in chamber music.
I compose and arrange for piano, strings, and guitar, but I am hoping to expand my horizon and beginning to look into orchestration in general.
I own a grand flute and have a basic understanding of what it can do and how it will sound not as MIDI but in real life. What it can cut through, and what it will only ever-so-slightly color.
By extension albeit to a lesser extent I can claim the same for the piccolo.
However, I have zero experience writing for oboe, clarinet, or bassoon.
The following piece is my very first attempt at balancing all five woodwinds mentioned above, and not just against one another but against five string instruments as well.
Owing to complete inexperience, at first I tried to tackle this by thinking in terms of flute and string quartet, and treating the rest of the players as supporting cast. I have no idea if that's the wisest thing to do, but that's what I know. So it starts off tame and only gradually grows more confident.
The piece is tonal and requires no virtuosity from any of the players. I am not concerned with what's playable and what isn't. I am concerned with balance, texture, and color.
So if the individual parts are unremarkable that's a good thing. My focus is on making them come together to form a cohesive whole. Not on pushing the envelope, but on acquiring an understanding of the basics. There's no point in writing the next Rite of Spring if you can't even orchestrate two bars of a simple waltz.
In brief, I have no idea how any of this will sound on actual instruments, what to look out for, and what not to worry about.
So if something jumps out at you as an experienced ensemble player, by all means do let me know.
If nothing does, all the better.
The runtime is six minutes.
Thank you in advance.