Hey everyone, getting ready to release MDL 1.1 and as part of this have put together the first part of an Official Notation Guide.
It can be found here - https://musescore.com/user/29165763/sets/5097225
This will be followed up with tutorials that explain in more detail the best practices for marching percussion notation.
Tip: If you do not use the MDL templates, be sure to change the musical symbol font to Bravura (Style > General > Score). MDL is ONLY supported in Bravura.
Hey everyone, getting ready to release MDL 1.1 and as part of this have put together the first part of an Official Notation Guide.
1) Regarding bass drum unison audio playback (F key) for 5 bass drums - For upcoming MDL updates would it be possible to obtain an audio sample of a 5 bass drum unison hit (as opposed to a 6 bass drum line)? When I write battery scores for 5 bass drums and there's a unison hit, you can definitely hear the bottom bass 6 overtone more than drums 1-5 and the pitch is much lower and beefier on #6 than bass 5.
2) I'm having difficulty getting proper audio playback of 1-to-2 measure Crescendo and Decrescendo (from Piano to Forte). Audio play back simply goes from Piano on 1 bar to Forte the next. Any suggestions on how I can fix that?
There are 2 ways you can upload a score to Musescore.com.
Option 1 - Simply select File > Save Online - make sure to tick the box that says "upload score audio"
Option 2 - Before saving the score locally go to View > Synthesizer and select "Save to Score". This should save the synth settings in the score so that the server understands how to process.
Please also share your scores to this group! We love to see them (and comment :-) ).
If you have uploaded a score previously, and there is an issue with playback, simply follow the steps above and re-upload the score.
I am also putting together a number of tutorials for MDL. Here is the starting point:
If you have already installed, skip to the other tutorials at the bottom of the link that walk you though many of the other features of MDL.
So, soon I put out a first draft of a notation guide to start to walk through the MDL notation standard.
While some of what is presented in the MDL notation guide will be familiar if you have used VDL or other notation inspired by it. Some will be a bit different.
In creating the MDL standard, we looked at the VDL standard created by Jim Casella, Murray Gussek, and Hugh Smith... and actually had long conversations with the VDL creators to understand why they did some things in the way they did. One of the key influencing factors was the limitations of Sibelius at the time VDL was created.
Since the number of noteheads and articulations in Sibelius then were limited, they were forced to make some choices that were less than ideal.
With MDL and MuseScore 2.3, we did not have such limitations and were free to create. As a result, some of the types of notation you were used to using, that were awkwardly formed from limitations of Sibelius, have been replaced in MDL.
A few examples...
Crossovers on tenors. Some use a plus above the stem, which is actually commonly used for dampening, closing, or muffling.
Others use ( ) around a note, which is commonly used for ghost notes, particularly on drumset.
It is also common to see crossovers notated with a hollow diamond notehead, which completely breaks the format for note duration.
If you look in the MDL Workspace (make sure MDL is selected in bottom left) and open the MDL articulations palette you will see that there are actually 2 designations for crossovers - LOR (Left Over Right) and ROL (Right Over Left). This makes notation even more explicit or descriptive than any other option out there.
In case you are wondering, if there is an accented crossover, the crossover goes above the accent.
Back to skanks. I've seen that some notate these with an elongated V, which is actually a symbol for an up bow marking for instruments like violins, cellos, etc.
When we look at the actual technique of a skank, it is a hit with a quick hand mute followed immediately after. A + symbol would not be entirely accurate, as it would imply that the note would be muted upon attack, not after.
So, what is a skank? It is a quickly shortened rim shot.
In thinking about this, we have suggested (and the logic in MDL 1.1 supports) the notation of a skank as creating a rim shot on the 4th drum and then applying a staccatissimo articulation. This emulates both physical action involved in playing and also the modification of the rim shot.
As we more forward in releasing the full notation, very interested to get your thoughts, ideas, feedback. We truly want to make this in the international standard.
To help people get started with all the very different new features of MDL and to also talk a bit about things like percussion notation, arranging for percussion and pretty much anything else related, I'd like to start to do regular Twitch streams or Webinars that everyone can tune in to and participate.
Which do you think is better - Twitch? Webinar?
I am thinking to maybe do 2-3 days per week. One time that works best for US/Americas and another that is better for Europe/International.
What are best times for US/Americas (using EST)?
What are best times for Europe/International (using GMT)?
Bigger paper with more notes reduces page turns etc, but not everyone has access to legal size paper and larger. Are most folks doing Letter / A4 in landscape mode?
Hey everyone. I thought I'd drop the first post to get feedback on MDL and see how we can continue to improve.
We are currently working on MDL 1.1, which we hope to release in the next couple of days.
In this release we are working on some minor fixes in articulations, improving templates and also adjusting the sound of individual instruments (here is an example of sound updates in progress - https://soundcloud.com/musescorelabs/mdl-11-beta-tuning-test-fluid-flavor).
I'd love to get your feedback and suggestions on any aspect of MDL you think we can improve.
Wow. I have to say how impressed I am with MDL 1.0 When Daniel first came online talking about this project, I was skeptical. I didn't think we'd get a viable alternative to VDL for free. Yet, here we are. It's great work and a huge asset to the community.
Keep in mind, I primarily write for battery and all comments come with that lens.
First, it's very speedy to write battery parts. Tuplets get a little squirrely at times, but I'll chalk that up to learning curve on my end. Its fast enough that I find myself unreasonably annoyed with the things that aren't quite as fast.
One thing that slows me significantly is how much overlap I get with accents, articulations, dynamics and pictograms in the defaults. I spend a lot of time moving things to where they're readable. I don't think I've changed the default settings. For example, pictograms are showing up right in the middle of the staff. Even then, I find myself deciding it's "good enough" and moving on to something else. I don't love how some of my published scores look, but it's just the way it is.
On the 'feature request' side, one thing I miss about Sib is the percussions stickings text and how it aligns to notes without additional futzing by me. With the 'staff text' in MS MDL I press a lot of space bar and caps / lower case make things not quite aligned.
Second, audio playback is a B+ for the battery - and I'm being hyper critical. The sextuplets in particular are vastly superior to what I was getting in Sib + VDL. The flams sound great too. However, there are times when playback creates weird phaser / wooshing sounds that just don't happen in real life.
Finally - and I'll beat this point forever - I'm really missing the ability to dictate stickings - particularly on the snare drum - and have the audio follow. Patterns like shirley murphey's, egg beaters or even just paradiddles just don't sound quite right. They're less important on tenors and even less important on bass, but would still be nice.
All in all, it's amazing. I'm a fan and quickly becoming an evangelist for MDL. The entire team deserves praise.
I'm not sure how much help I will be as I am not a drummer per se, but I will help in any way I can! :D
So, I just hit the big 300 mark! What should I do? I Was thinking of revamping/ finishing the old old old Phantom of the opera string quartet I had done a million years ago Lol So If you have a suggestion of a piece I should arrange, or an interesting idea for an original, Then feel free to share! Thanks!!!
I'd like to try something fun in my new role as co-administrator of Laugh Silly. Each Month, I will name the best laugh-inducing, silly composition submitted during the month, at least according to me and then post the winners here.
You are also welcome to nominate what you think are the best of the month, also.
We (Joseph and Hannah) have decided that every time we double in the number of followers (so right now we're at 5, so it'll be 10, 20, 40, 80, maybe throw in something for 100, 160, etc.) we will alternate posting an original composition to thank you! (It may or may not be very good. We're certainly not experts ;)
various serious comments are allowed here since this is not such a silly site after all.
here is an idea for a new competition
someone will start a composition with maybe 5-10 bars and then another person will continue it for another 5-10 measures, and then the next person and so on until the game will unexpectedly end (the music stops, in other words) and the last one to enter when the music stops (as determined randomly by the one running the competition) wins.
any takers or anyone want to start a piece?
I realize there is likely a discussion of this elsewhere but decided to have my own discussion to keep track of issues. you are welcome to add your own comments of course.
notice that some compositions created in the older version don't open in the newer one, says they are corrupted. I realize my music is very corrupt but musescore could have been a little nicer about it all. that is just plain mean.
notice that the violin sounds a lot better, more pleasant ( I won't say it sounds more like a real violin being played because then it would sound worse, if I was playing anyway)
but also notice that the overall sound seems very quiet. I have to turn the computer volume up really high. and then if I forget and play something with the older version, I am deafened. yowza!
wonder how music made with this new version plays at the online musescore site, or does the sound balance get messed up as it does now…
haven't found how to do some things… seems they changed the layout a bit.
Based on this playlist you must create a medley https://www.youtube.com/watch?v=ly_FAIOPH0Y&list=RDly_FAIOPH0Y#t=0
It is due April 28,2016 9:00 pm
The following is a synopsis of an opera about the DYDD, Downy Yellow Dingle Dork for those of you who still do not know. (see http://chinadoll123.wix.com/dingle-dork1 and https://musescore.com/groups/the-downy-yellow-dingle-dork-extinction-group and also https://musescore.com/user/266756). Any suggestions or comments are welcome (other than "don't do it") and anyone who would be willing to collaborate or otherwise help in any degree on this project is most welcome. Although it may have taken Rossini only 13 days (supposedly, I also heard 40 days) to write the "Barber of Seville," I am no Rossini of course and this project, if it ever gets done (no, don't start off negatively! be positive) will likely take more like 13 months to put together (being realistic, no?) Anyway, I welcome any comments as always. Thank you, music lovers.
Synopsis of the dydd opera
An opera in Three acts
Patterned after the magic flute
Themes are right to life, preservation, tolerance, freedom
Overture- a medley of the opera tunes
We see the members of the secret audobon discussing the dydd. They sing of the reasons why the dydd must be made extinct and of their plans for its capture and extermination. This should be done very comically.
We then meet some isolated folks who want to save the dydd. These folks each have their own melody and they meet and sing a medley of their individual tunes.
They decide to form the knughts of dingle dork. This introduces the theme of the knughts and their motto.
We get a fleeting glimpse of the shadow of the dydd which introduces its theme briefly. Then we hear its cawing mocking laugh as it flees the pursuing secret audobon
Act one ends with the knughts singing on one side and the secret audobon singing on the pther side their competing themes and aims.
The act ends with both groups expressing frustration at not being able to capture it and we agin hear the dydd’s cawing laugh as the curtain closes.
This act begins with the chase music as the secret audobon sets its traps and then falls into their own traps.
We then get introduced to the dydd and it sings its tune.it sings about its life and how important and beautiful it is although it Is lonely since there are no other dydds. It can also sing its signature theme.
The knughts then chase after the dydd and they do many comical face plants and capture a dydd doll.
The dydd has many adventures in its travels to other lands. Th act ends with its discovery of pacificus and its capture by the Inhabitants.
The third act is the resolution of everything.
As the act opens, we learn about pacificus and the dydd meets a female dydd and sings its love song. It realizes its importance in the world through discovering its history in the land of pacificus.
Meanwhile the secret audobon and the knughts have a showdown and manage to capture each other in their traps.
The act ends with everyone in traps or tied up and the dydd comes center stage and proudly sings its victory song. The female dydd cones out to join it and they sing a duet. Then all the baby dydds join them onstage and everyone sings the grand fanale.