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2 discussions • 24 scores • 79 members

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new composition! "Waltz of rememory" feedback wanted!

   This music music has a sense of tragedy with romanticism and a bit of modernism accents.
Of course you will hear one of the most popular classical music progressions (baroque epochs progressions of fifth) but i wanted to do my own version of that progression.  Maybe you can relate my piece with someone others... leave your comment i would like to know what others think...

https://musescore.com/user/27686937/scores/5639783

Big Issues

When I'm writing for any ensemble that contains the MDL instruments i always experience a glitch that happens after i stop playing the score. I will usually click the stop button and when it does a huge bang of all of the instruments in MDL being used come at unison and full volume. This will happen a few times and after so many MDL will start glitching and it will make the velocity go all over the place. It makes it sound almost corrupt. I know it isnt corrupt because after restarting the platform everything is fine. Then the sound happens again and it goes haywire and i have to restart the program once again. I've experienced this before but only now has it become extremely prominent. This is my main issue however the problem with shots also bothers me. The unaccented taps are louder than a rim shot. I can get around it by using a ping shot (which is slightly louder but it is still a bit quieter than an accented note) however i still prefer to use a rimshot. Thanks for listening! Hope you can figure out the problem soon.Reply

Reached composers block

So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.

I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.

despising Musecore 3

There are days when I absolutely hate Musescore 3. Sure, it is nice that things get automatically spaced in the score so nothing overlaps, so wow gee wiz, uh, isn't that just how it should be? What I hate is that they seem to have gone out of their way to make things more difficult compared with Musescore 2. They seem to have randomly changed things that didn't need changing just to make it frustrating for the use. It used to be easy to change the volume of a single note or chord in a score. But now, once I finally figure out how to do it, Musescore manages to hide it from me so then I have to start all over trying to find out how to do it again. Why!!!? It used to be easy to see the note in inspector and then modify the volume, but now, where the blazing biscuits is it?? And why is it impossible to find in the manual? Ultimately, there is no advantage to Musescore 3 other than the spacing thing. So, I should do everything in Musescore 2 and then when it is ready to be put online, open it with Musescore 3. Just be sure to give it a different name because once you open it in Musescore 3, they won't let you go back to Musescore 2. Oh, no. Why would they make it **&&**& easy?!!!!! And I paid good money for this kind of frustration????????!

Posting music online without having the instrument sounds go haywire

It is really great that musescore now can let you post your compositions online with the same soundfonts and thus the same sound you hear on your own home computer, or wherever you do your composing. No more frustrations of having the posted compositions sounding different from what you wanted. Under file, click save online and check the box for importing your composition's sound. Nice.