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Educational "essential rudiments" percussion posters for free!

Good day! My name is Mikhail Kirilin, i'm the PR manager of Musescore. We prepared an educational posters with essential rudiments exercises for percussionists. Here's the photo how this one looks like: 
https://sun9-8.userapi.com/c854532/v854532527/11ee70/K10NmaHZH2g.jpg

We will be glad to send those for FREE — right now i've got 20 physically posters.The only condition is: the posters are available to teachers, educators and studio professionals only. 

Here's the form to sign: 
https://forms.gle/nyzRe2ZZKU8zeY9KA

All i need in exchange, will be the photo of this poster in a classroom/studio :)

For those, who want to use this one in a digital form

  1. I can send you the digital mockup — it's easy to print because it is black/white. Text me with direct message or mail m.kirilin@musescore.com">m.kirilin@musescore.com
  2. We've uploaded notations to Musescore account: https://musescore.com/mdl/checkitout

Hope that you like our idea. We'll make more free posters soon after this :)

Arranging Presto Agitato, Any suggestions for the sixteenths?

I am arranging Beethoven's Moonlight Sonata for a string quartet. I might add a double bass if I think it is necessary, but so far, no issues with it being a quartet, at least not in the first and second movements. Now I'm arranging the Presto Agitato and as if it wasn't hard enough with the need to smoothly transition from the viola to the violin in those sixteenths, if I keep the interval relationship, the notes are going to be too high. I could get away with this octave displacement in the previous 2 movements(With the first movement, I basically did this octave displacement for the entire bass line to fit it into the cello), but now, the octaves the sixteenths are in are crucial to getting the right sound out of the Presto Agitato.

There are 2 things I can think of as to how to get the Presto Agitato to sound right, one of which keeps the instrumentation, and another of which keeps the original octaves.

Option 1: Add Double Bass

This would keep the original octaves, and I could have it play the bass line and have the sixteenths start in the cello and rise upwards to the viola and second violin.

Option 2: Move bass line to Viola for first measure of each arpeggio run

This would keep the instrumentation I have going of a string quartet and for everything except the bass line, the original octaves would be kept as well.

Which one of these 2 options do you think would be better? Any other suggestions?

NOTE: I'm only asking about the arpeggio runs, the scales and Alberti bass are easier to arrange.

Voting

Please post which song you like best in this discussion and on the due date of the challenge I will see which song has the most votes (ties are aloud, there will be no tiebreakers). You can only give 1 vote and It can't be your song (If you have one for the challenge).

Polonaise in Bb, Feedback Wanted

I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.

1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?

2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?

3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not?
 
4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?

5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not?
 
6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?

7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further? 

Here is the link to my polonaise score:

https://musescore.com/user/50070/scores/5682039

How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.