Listen to this score: https://musescore.com/user/29136972/scores/5403217 and critique it please. Leave your comments in the comment section of the score.
If you can't tell a bamboo flute from a Saxonette, you're just as intelligent as Google Image Search.
I made a medley with 3 Imagine dragons songs, SO FAR, I will be updating this piece frequently adding new songs to it every week. Please check it out, fave it, and follow me so you don't miss anything, thanks!!!
Recommenations for a Grade 4+ Alto Saxophone Solo (or accompanied by piano).
I have my solo and ensemble in a month, and Im gonna attempt to play fantasia by claude t smith. Is it humanly possible to prepare the piece in this time?
Transcription to C-instruments
I own the partiture of 'Sax in the City of Alain Crepin' inclusive all parts and the altsaxophone solo for saxophone-orchester (Es and Bes instruments). I want to play the altsaxophone-solo with my accordeon-ensemble (all C-instruments). How can I transcript all the music to C-instruments (exclusive the Alt-saxophone solo)? Can someone help me?
Below are song titles from a "transcription plan" that was being pursued by this group in 2017-2018. The idea was to take the top 100 jazz standards appearing on the jazzstandards.com list and provide lead sheets. The jazzstandards.com list was compiled statistically, and is ordered by frequency of recording (see the site for more details).
As of this writing, lead sheets for about 2/3 of the top 100 songs on the Jazzstandards.com list have been submitted to the group. (The full jazzstandards.com list includes 1,000 tunes, in case you were wondering.) At the bottom of this message are the titles that have not been done.
You are welcome to work on the remaining titles, or any other titles considered to be jazz standards (or popular song standards from the classic jazz/swing era--roughly 1910 to 1960). If your song isn't one of the 1,000 songs on the full jazzstandards.com list, it's probably not what most musicians and jazz fans would consider a jazz standard. That doesn't mean it's not a great tune, but in most cases it means the tune is not widely performed. (Perhaps we need a Musescore group dedicated to overlooked and under-appreciated jazz tunes and traditional popular songs.) We will try to be as inclusive as possible when adding submissions to the group, while still keeping the focus on tunes that you might hear played and sung in jam sessions or on gigs by relatively mainstream jazz performers.
You are also welcome to submit improved versions of any songs that have already been done for the group. Perhaps a song previously submitted is missing lyrics, or missing the introductory verse, or has chord changes that are not widely used by musicians in performance. So far, the group has not been flooded by multiple versions of any given song--if we were to get, say, 10 charts for "I Got Rhythm," we might need to pick the best 2 or 3 for the main listing, but currently that's not an issue.
Note that if you are starting a new chart, you may save yourself some time by working with an existing "Wikifonia Archive" chart and adding your own corrections, improved formatting, and missing sections / lyrics as needed. See the following discussion for more details: https://musescore.com/groups/jazz-standards-leadsheets/discuss/5019538
To add a score to the group's collection, open the score in Musescore.com or find it in your account's list of scores, click the "three dots" action icon at the top right, and then choose type in "Jazz Standards Lead Sheets" to search for and choose this group. You can then leave a comment here with the song title and the URL for the link to let us know you've added a new score. If your chart has notable features or corrections, add a note about it when you post, and consider adding the details to the comments on the score page as well.
Jazz standards not currently in the collection of this group (ranking from jazzstandards.com)
19. In a Sentimental Mood
25. On Green Dolphin Street
53. You Don't Know What Love Is
69. Lover Come Back to Me
72. More Than You Know
74. Just One of Those Things
79. Polka Dots and Moonbeams
80. Easy Living
81. Pennies from Heaven
82. I Didn't Know What Time It Was
84. It Don't Mean a Thing
87. Star Eyes
89. Alone Together
90. Just You, Just Me
92. Things Ain't What They Used to Be
93. Do Nothin' Till You Hear from Me
94. Blue Moon
95. I Surrender Dear
96. You Stepped Out of a Dream
97. My One and Only Love
98. 'S Wonderful!
I’ve been playing alto sax for quite awhile, and have decided to move onto tenor for jazz, are there any tips on playing tenor, or am I just better off staying on alto?
Could some of you guys critique this? I've been experimenting. Link here: https://musescore.com/user/29136972/scores/5403217
I have spent a couple months learning MuseScore with the specific goal of using it to play my favorite classical music solos and jazz music exercises from my teenage years in the 1970's.
I was an alto sax player in my local high school concert band and jazz band. I have only played infrequently since that time and my playing skills have deteriorated.
My two main careers have been as a design drafter and IT professional. I decided to take the software learning skills I have acquired from these careers and use them to play my beloved sax music using a computer.
I started out with the MIDI Edition of Musitek's SmartScore music notation program with its built-in Aria player on-add that uses Garritan sounds. I even purchased the Garritan's Jazz and Big Bands add-on for Aria but found the added controls did not provide the effects I wanted. Perhaps with some work and/or using a Midi keyboard for input, I could get more realistic sounding sax music from the programs, but I wanted an easier (and cheaper) way. I also found SmartScore's focus was more on scanning in existing music. The amount of work need to learn to edit the scanned-in scores seemed a bit daunting.
So, I decided to try out the OpenSource MuseScore music notation program instead. I spent about a month reading the entire manual. I found it easy to learn and was relieved to find that my knowledge of reading music had not deteriorated as much as my manual dexterity has. I also discovered that transcribing the music is an enjoyable activity in itself. In fact, I find writing and modifying the scores as much fun as I do to listening to MuseScore playing them.
I have now transcribed about ten scores into MuseScore and played around with how to adapt them to get the best sounding saxophone I can. I have found that the native MuseScore alto sax soundfont is pretty good in that it has some vibrato built in. I also have experimented with a number of other other sax soundfonts recommended on the MuseScore forum. I recommend that other folks who want to get better sax sounds to try these other soundfounts out too and find one that meets their particular needs.
I wish to pass on a few methods I have learned for how to adapt music scores written using MuseScore for the purpose of using MuseScore to play them and export them out as WAV files. Of course, these hints focus on making MusceScore play in the style that I have used on my actual saxophone.
1) MuseScore does not play Breathe marks so you can leave them off of scores. You can imitate a breathe by adding short rests instead.
2) I like to play musical phrases in a swelling style where the volume gets louder as the phrase proceeds and then gets softer as the phrase ends. To get this effect, I have to exaggerate dynamic changes for the crescendos and decrescendos. I find the phrase has to start at "mp" or "mf" and increase to "ff" or even "fff" to get the effect I want.
3) For accelerandos and decelerandos, I have found changing the tempo for each meaure in the range of measures where the tempo changes to get the effect I want. Another method I have used is to literally extend the lengths of the notes. For example, using quarter notes in places of eight notes. This works well for situations where the tempo change must be dramatic.
4) I have found I need to add more accent notes and staccato notes in MuseScore than in the original scores to reproduce my playing style. The musical scores modified in the ways I have described above would not be suitable for scores that you need to print out and have someone actually play using a musical instrument. However, they do give a bit more life to how MuseScore plays them.
I hope those wishing to use MuseSore in the way I have may find the methods listed above useful. I would love to hear any hints others may have for using MuseScore to play in a more lifelike manner. Finally, I wish to express by deepest gratitude to the makers of MuseScore for creating such a tremendous software program.
I am a alto saxophone player who has around 2 1/2 years of experience and has been in private lessons and band the whole time
I never learned/misunderstood articulation and have been just blowing air. I believed that I sounded pretty good that way and could play advanced pieces.
Recently I learned this was wrong and I honestly sound terrible if I try to articulate. Should I play in band without articulation and practice articulation at home until I can articulate in band without sounded bad? Not sure what to do and if you all have videos for me to watch to help with my articulation (not that I think they will help; my private lesson teacher is very helpful and I still couldn't get tonguing down at all in 30 minutes; this could be because I have been playing a different way for 2 1/2 years)
I do wear Invisalign (not sure if that makes it harder to articulate)
I have a "tryout" for my high school band class that I am going into in June, and I would like to know if any of you have a recommendation on a jazz tune for me to play. Keep in mind that this "tryout" is only for the band director to see where I am at on the alto saxophone.
Lead sheets are of course disappointing to listen to in MuseScore because there is no built-in facility for generating accompaniment based on the chord symbols. Programs like Impro-Visor, iReal Pro, and others excel at this, and maybe some day MuseScore will have this ability. Meanwhile, I have created a resource you might find useful. It's a "cheat sheet" score with typical jazz piano voicings (as well as more generic voicings for folk/pop etc) for a wider variety of chords. Just add a piano part to your lead sheet (using Edit / Instruments), copy and paste from the "cheat sheet" to the piano, then mark the piano invisible (also in Edit / Instruments).
Here is the "cheat sheet":
You can download it here: https://musescore.com/marcsabatella/scores/5236325
Hi, I have an alto saxophone and I'm looking for a partiture :"SAPORE DI SALE, GINO PAOLI".
If you could kindly send me the partiture, I'm grateful to you.
Thank you very much.
Not a big fan of self promotion, but really proud of this piece and would love some constructive criticism.
Anything and everything is really appreciated, thanks!
Hello, I am trying to find a jazz duo with violin and sax. (alto Eb). Could you help me ?
THIS TOOK 30 Minutes To Write:
Please check it out favorite, follow me, and comment!!! Thanks!!!
I remade paganini's caprice no. 24 for soprano saxophone, so if any of you are good at soprano sax and want to try it, then go ahead and do it and record yourself playing it and send it to me.
here is the link to the sheet music: https://musescore.com/user/28342538/scores/5323997
p.s. Practice 40 hours a day :)