I'm having a hard time starting another song. Any ideas on how to start a song?
My daughter (11) has been really struggling with lower C# on her alto sax - she can play lower C and lower D nice and strong with any dynamics and articulation, but somehow the C# is a hit-or-miss affair for her. Her teacher suggested relaxing the embouchure a bit and putting more mouthpiece in, but it didn't seem to help much. Any suggestions will be much appreciated, but please note I am not a musician and I do not play any instrument myself so as plain English as possible, please. :-)
Also, any exercises you'd recommend? We've been trying interlaced scales (C, C#, D, C#, E, C#, etc.) and simple tunes so far.
I'm a tenor sax, if any one knows a good creator who puts out tenor sax sheet music that doesn't have it on bass line please let me know. I mostly like playing 80s music
Please can anyone help me by making the sheet of this beatiful song in sax alto the song is Blue Light Yokohama / Ayumi Ishida please I search in all places but I didnt found it
I am going to start Tenor sax for marching band cause I dont want to just stick with brass. I really want to learn the song. it is like maybe 20 seconds, but on loop
Hey um I just joined and was wondering if this isnt a big ask but if u could look to compose some mexican music?
I'm a highschool sophomore tenor sax and i'm wondering if you guys have any tips regarding the altissimo range, that ridiculously high set of notes after high F#. i would like to know if there are any finger charts or tips to help me play in that range. Thanks and have a wonderful day!
I have been in my school band for 2 years. I went from elementary to middle school. We started in 6th grade and are now in 7th and I am a tenor sax. I currently gave problems with coming from over the break to some of the lower notes like F, F#, E, D, et cetera. If anyone has suggestions, please post some.
Wondering which mouthpiece/reed combination are you, guys using? For which style of music and with what kind of sax?
One of the main problems every saxophone player faces at some point is: “what and how to practise”. I just wanted to share some experience and knowledge on the topic - I’ve been a practising saxophone player for about 18 years already. This is not a complete guide or an instruction, but a note containing some suggestions. Though I am more into practising improvisation now, I’ve tried to mention some more general practise activities here .
So let’s just go through an example of daily practice schedule:
Whenever I have time I get back to some breathing exercises (see my article on breathing) - 3-5 minutes or so - as breathing is one of the most important things for producing great sound, and cool sound is what we are constantly aiming for.
- Long tones
- indispensable both for embouchure and for breathing skills. Moreover, different dynamics, cresc, dim, steady tone, etc. - at least 15 minutes. Be aware of your intonation and timbre during this exercise! You may want to use some tuner. Also read the article about embouchure posted in this group, I find it important. One of saxophone myths is that “only beginners should practise long tones”. I like to compare that with sports: every sportsman warms up before actually starting doing sports; long tones - is a warm-up for professional wind player, we need that to be in good shape, that’s of vital importance!
- practising overtones and matching them to standard fingerings. Try to match the “full” timbre and pitch of overtone when playing tones using “normal” fingerings. There are several books on the topic, a good place to start is the corresponding section of David Liebman’s “Developing a personal saxophone sound”
- Techniques you need:
tonguing exercises for “junior” saxophonists , different articulations - for all sax players (it’s extremely helpful to start with simulating articulation of your favourite saxophonists, especially for jazz-oriented musician) for more advanced players the list might look like this: flutter tonguing, split tones (multiphonics), altissimo, growl, circular breathing, etc.
- Scales and arpeggios.
All kinds of scales and arpeggios you need; a plenty of things for jazz players: all modes of major/minor scale, diminished and augmented scale, melodic minor scale (actually there are tons of scales, see the fundamental work of “Yusef Lateef “Repository of Scales and Melodic Patterns”) , triads and 7th/9th chords (including augmented ones) arpeggios, studying chord/scale theory (check Mark Levine’s “Jazz Theory Book”). David Baker’s “Creative.Approach To Practicing Jazz” is a good source of ideas. “ I am not too familiar with classical stuff, so feel free to post your thoughts and share your experience in comments.
Both classical (for developing your overall playing technique, like “Daily exercises for saxophone” by H.Klose) and jazz (elements you need for improvisation - enclosure, 3 to b9, licks and patterns:II-V7, all kinds of cadences, cycle of fifths, etc.. Just remember to practice things in all 12 keys whenever it is possible. Here are the authors of literature on the topic: Jerry Coker (co-writer of “Patterns for jazz” and the author of a bunch of other books), David Baker (“How To Play Bebop” in 3 parts, etc.), and, of course, the educational books with playalongs by Jamey Aebersold.
- Practising improvisation.
That is: studying transcribed solos (and the process of solo transcription itself, of course) - remember analysing not only the notes played in different harmonic situations, but also the master’s articulation and time feeling (is he behind, before or on the beat?; learning tunes with chord progressions, applying patterns, licks and everything you’ve learnt in steps 5 and 6 and, finally, several minutes of “just improvising” to track your progress and just for pleasure. There is a really cool book called “Elements Of The Jazz Language For The Developing Improvisor” by Jerry Coker, I highly recommend it. The same author has an article entitled “How to practice improvisation” in his “Complete Method for Improvisation” book (part of this article was included in Jamey Aebersold’s “Jazz Handbook”)
If you have any questions or if you have something to add to this article - please don’t hesitate to do it in comments!
I'm in eigth grade and I have learned control of the lower register and I am trying to learn altissimo notes. I made the all state band and the highest band at my high school.
Only just joined this - looking really for some direction. Have been learning for 1 month so know my notes, practice every day . . . . what should I be ding? What should I be expecting?????
Hello, I just wrote my first piece entitled "A Rainy Day" for a sax quartet and I would LOVE any feedback. Please listen to it and help me. It would be greatly appreciated. (Just listen to it on my profile)
Welcome to the Saxophone group! Here is some Information for you and links to sax scores and other sax-related groups on MuseScore.
First of all, this particular group (Saxophone) is kind of “basic” saxophone group, containing discussions and articles about saxophone. To read an article - just scroll down after clicking the "discussions" section. You will recognize an article in "discussions" by the [article] prefix in its title.
You are very welcome to make more posts!
Then, here are some links to other saxophone-related groups including sets of valuable saxophone scores:
1) Saxophone ensembles group (quartets,quintets,etc.) -
2) Jazz Standards Lead Sheets -
3) Sax arrangements group - saxophone arrangements of rock/pop music or movies’/games’ soundtracks
4) Sax solo transcriptions -
5) Collection of scores: sax solo or with accompanying instrument - https://musescore.com/groups/saxophone/discuss/5015764
Feel free to create discussions and articles, to add your scores and to comment!
Would anyone here be willing to arrange Crazy la Paint by Minimusicman for a saxophone quartet of two altos, a tenor, and a bari? I think it could really sound great and be lots of fun since it kind of has the feel of an energetic reel, but I'm definitely not up to the task yet.
Hello everyone! I am a professional improvising sax player (mainly tenor sax). Created this group to post sax solo transcriptions synchronized with youtube videos/audios.
Have posted first 2 solos - check out them in "sheet music" section of the group, here they are:
Please feel free to post solos transcribed by you and sync them with original recordings on YouTube.
See the post below on synchronizing scores with youtube videos/audios
This is Joshua, and I'm a composer and a performer and a new admin for the group Saxophone Ensembles. I just wanna generate some discussion and get some activity for these forums. Alex has done a really great job so far with his helpful information. Now, it's my turn: to do this, I think the best way to start would be a feedback form: post your scores to the group or just post a link in this chat and I'll do my best to give feedback. Arrangements or original compositions, I'd love to look at all of them and give feedback. This is just to raise some awareness for this community and also get activity going. Expect more discussions and whatnot in the near future.
So, if you want any feedback, I'd be happy to give some to your saxophone score. Post to this discussion or just send to me and I'll take a look at it.
Check out the instruction on how to do that:
Post sax solo transcriptions here and sync them with original recordings!
This is a collection of scores for sax+accompaniment (sax+piano or sax+guitar) or solo scores, mostly of classical style, provided by ORWELL6 ( https://musescore.com/user/139709 ), checked by me. I also added some scores there. Please feel free to post more scores of this type (post in this group for now and paste the link to it in comments).
The idea is: If we get more shit music of this type, we will create a separate group of classical sax scores, which will contain this set as a part of it.
- Tango Amigo for Saxophone and Electrical Guitar - Theo Thomassen
- Chromatischer Tanz for Alto Saxophone
- John Williams - Remembrances (from Schindler's List) - rearranged for alto sax and piano, Dave Koz's solo parts included:
- "Peace by the River" for Alto Sax & Piano
- Sonata for Alto Saxophone and Piano, Robert Muczynski Op. 29
- Schubert's Ave Maria arranged for E♭ Alto Saxophone and Piano
- Saint-Saens – The Swan – Sax Tenor & Piano
- Gustav Holst — Jig from St. Pauls Suite — in B for Sax Tenor
- Prélude de la première Suite de Bach en Sol M - Saxophone Alto
- ENVELOPE: For Baritone Sax and Piano (2017) -
- Fantasia for Alto Saxophone
- Prélude de la première Suite de Bach en Sol M (BWV 1007) - Saxophone Alto
- Mist" For Baritone Saxophone and Piano
- "Symmetrical Brutality" for Unaccompanied Baritone Saxophone
- J.S.Bach - Flute Sonata Nr.1 Bb minor BWV 1030 III.Presto (alto sax arr.)
- Vasil Yurchanko - “Zhart”