I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.
1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?
2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?
3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not?
4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?
5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not?
6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?
7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further?
Here is the link to my polonaise score:
How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.
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Hey y'all! So my front ensemble is in need of a new lot tune and they want me to arrange it. The problem is we don't know what song we want to use. Any suggestions? Feel free to comment your suggestions.
Hey! I hope you have some to listen to some sax quartet music.
I just added 5 scores in this group, please let me know if you like it or not.
Also check out our facebookpage: The Magical Saxes
Hi all, there used to be a flute piece titled "end credits", but it was taken down when the user's account got suspended. Does anyone else know what piece I'm referencing, and can anyone remake it? (I'm not too good in the composing area).
This is one of my first scores, so any and all feedback would be great (although preferably constructive criticism). Thank you!
Hi there! I have yet another piece I'm looking for feedback on (again, preferably constructive criticism, but hey). Please comment on the piece itself preferably, but idc if you post here either.
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just comment anything
OK maybe something else XD lol
This group is meant as a gathering place for aficionados of Zappa and other related groups. Share transcriptions. Share arrangements. Talk about mustaches (and other stuff). Try to share new stuff (just make sure it's really good). Don't get hurt.
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like best friends brother, make it shine or shut up and dance
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wouldnt it be nice if musescore had a group devoted to educating members on music theory, arranging, orchestration...
yeah, I know that some high school classes use musescore for teaching music but that isnt exactly what I mean here. I mean a place totally here at musescore where members could make intelligent critical educated helpful comments about music.
there are certainly members who are very well educated in music who could help members out with their music, exchange helpful comments, a place where people could actually learn about music rather than the hit or miss experimentation alot of us do. I know I am just talking into the wind, but still, sigh.....oh well.....
Hi-ya. Is it possible to get a certain FNAF song done just for trumpet? If you can do it, reply and I'll tell ya the song. Thank you.
I'd also forever be in debt to you if you did the FNAF Musical for trumpet, but I that's hard to do, so no pressure.