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Bass in XXI centure

 ▷ J.A. Moses – The Concordance of Frogs for Cello & Contrabass https://musescore.com/jmoses/scores/5170866

Bill Hails – Calling Card
for Bassoon
https://musescore.com/billhails/scores/4982392

Jan Willem van Ree – Septem ultimis verbis Domini Nostri Jesu Christi, Part III
for Bass Guitar and String Synth.
https://musescore.com/aquarius/jan-willem-van-ree-septem-ultimis-verbis-part3

Hans Jacobi - Michelle Fugue 
for Bass Guitar and Wind Duet
https://musescore.com/aquarius/scores/2786501

Jan Willem van Ree – Notation en mémoire de Pierre Boulez
for Contrabass and other instruments
https://musescore.com/jan-willem-van-ree/scores/4566531

Bass in Baroque

J.S. Bach – Cello Suite №1 – Prelude
for Bass Guitar
https://musescore.com/aquarius/bach-cello-suite-1-prelude-bass-guitar

Simon Ives – "Ayre №2"
for Bassoon Duet
https://musescore.com/mike_magatagan/scores/74268

G.P. Telemann – Fantasia II from "36  fantasias for Harpsichord"
for Bassoon and Contrabassoon
https://musescore.com/mike_magatagan/scores/82994

J.S. Bach – Entrée from the Overture Suite
for Bassoon and Guitar
https://musescore.com/mike_magatagan/scores/3367246

Bass Clarinet lag

Has anyone else noticed the lag in the lower clarinets, or is it just me? I made a piece called starmachine2000 with contra alto a while back and it was pretty laggy but not too much as to really disturb me, but at the moment I'm working on another one with the standard Bb Bass clarinet and the lag is RIDICULOUS. It's driving me nuts plz help if you know how to fix it.

Thanks :)

Young Composers' Online Orchestra- In need of woodwinds!!

Hey guys! This is a new ensemble I created a few days ago and we have a serious woodwind deficit as of now... we have three total woodwind players, compared to 7 violins and 14 synths.
I've posted this in a few other MuseScore groups in hopes of attracting a bit more attention to it, and it's worked so far! Here's the rest of the original post.

I'm creating an online  orchestra dedicated to performing the works of young composers and  putting the videos on YouTube. In the process, composers will get  feedback from performers, performers will get more experience playing in  different settings, and both will form connections that will be  extremely useful (hopefully) in the music industry long-term! It's also a  great chance for publicity.
Currently, I'm looking for performers, composers, and editors alike willing to help make this happen.

If you want to join, here's a link to a Discord server dedicated to making this happen! 
https://discord.gg/PxQpBgj
In anticipation of a few questions, here's an FAQ.
How will you coordinate this?
Our  current plan is to have one major piece every two months. Pieces will  be member-submitted and member-selected. Parts, an MP3 of the piece  being performed by synth instruments, and a metronome MP3 will be sent  out. Members will have these two months to work up their part(s) and  record themselves playing in time with the metronome that was sent. All  members will submit their parts to an official email for the orchestra,  which will be made at a later date. Editors will then take over and edit  the tracks together.
It will then be posted to an official YCOO YouTube channel with credits to the composer and performers in the description.

What instruments can join?
Currently,  standard orchestra and wind ensemble instruments. Non-standard  instruments may be accepted, but should not expect a part in every major  piece. Right now, we especially need woodwinds, specifically on flute/picc, saxophone, clarinet, and bassoon. We'd also love more low strings, like string bass and cello. But we won't turn you away if you already play an instrument we have lots of. The more, the merrier!

What kind of music will be played?
Orchestral  music, wind ensemble music, chamber music, solos. We currently plan to  only do original music by young composers but may be open to doing  covers once the group has been established.

Chamber music and solos? How will that work?
While  the major projects will happen every other month, members will be  allowed to arrange small ensembles. Chamber ensembles and solos will be  entirely member-run: members will choose a piece, form a small ensemble,  send out parts on their own, come up with their own deadlines, and edit  the audio and video on their own. Only when the product is complete  will it be sent up to us admins to publish it on the YouTube channel.

Is there an audition required?
No.  However, if you submit a track of low quality, it may not be used. (Low  quality can be defined as: badly out of tune, very bad audio quality,  not with the metronome, or played with a bunch of mistakes.)

Video? Will we have to submit videos of ourselves?
No. Submitting videos of yourself playing is entirely optional.

Do you have to play in every major piece?
Nope. We won't kick you out for inactivity.

If  you have any other questions let me know and I'll do my best to answer!  In case you don't want to scroll back up, here's that link again. 
https://discord.gg/PxQpBgj
Here's a link if you're interested but can't join the Discord so we can still get your information.
https://goo.gl/forms/H1QAmhsrpczM1ZGw2

Wait What?!

I can't believe it! I'm about to hit 50 followers (only need 7 more)! I know that it isn't mush, but it is something right? Tell if you would like to see an original composition, or an arrangement of a song you like. I'm going to take probably 3-5 ideas so choose wisely as I'm putting this discussion in all the groups I'm in.

Techniques

Can we have a thread where people post all of the different things about how to play woodwinds, starting with the basics of how the sound is produced and how the keys work, and going to various techniques such as fluttertonguing and other things? I think it would be a help for composers who want to write for woodwinds but don't play them (such as myself). I know the basics from Orchestration by Samuel Adler, but it would be nice to have them explained from actual wind players.