I've been sitting on this group for over a year without really doing anything with it. Its original purpose was to bring together the drum corps community on MuseScore by allowing others to post their own drum corps arrangements. In my original post on this group, I mentioned that I wanted to start a series of competitions that you guys can participate in, and I'm happy to say that I'm going to give a go, starting today!
So, what is the first competition?
I want to start off with something simple: Create a drum corps arrangement for any song that has a color in its name.
Here are the rules:
- Follow typical drum corps format (3 trumpet, 2 mellophone, 3 baritone, 1-2 tuba)
- You don't need to include percussion, but it might increase your chances of winning
- Only submit one arrangement per person!
- Arrangement must be at least 1:30 long, but no more than 5:00
When you're ready to enter, just reply to this post with a link to your arrangement.
So, if you win... what do you actually win? In the future, I hope to offer a month of Musescore Pro to winners. Maybe if enough people show interest? For this first competition, though, I will post the winner's arrangement to my YouTube channel, with a link(s) to whatever you want to advertise. Your YouTube, your Instagram, whatever!
Assuming people actually participate, I plan to end this competition by Monday, 10/21. Have fun!
Hope y'all are having a great day!
Please check out my new piece for solo piano ( Rondo Comique):
FEEDBACK IS MORE THAN WELCOME AND MUCH APPRECIATED!
Feedback is welcome
Like you should totally look at this for free TeMfLaKeS!
This one is mainly a question for high brass but if any other could help me that would be great. I'm in 11th grade and I am a 3rd year trumpet. Right now, we are focusing on marching songs, but after Football season, we mainly play concert songs. One of those is a pretty well known trumpet piece called "A Trumpeter's Lullaby". I normally am a second chair but my band director "surprised me" and gave me solo. I've played it before but never solo. Since I am doing the solo, should I use vibrato at the appropriate times? If so, what method should I use? I obviously wouldn't use the wind speed method. So I would either use my hand or move my jaw slightly. Which one should I use? Let me know!
noticed that i couldn't find a 100% correct or close to it transcription of megalovania of careless whisper for alto sax.
made one of each.
They're both also in the group sheet music
Hi guys I just started playing alto sax about 2 months ago and could anyone post any easy sax music, thx😀
i don't know
I have finished a composition that I plan to hand to the Academy Flute Choir, however I would appreciate any feedback on it before I do so,
I really want to play Netflix trip for my school talent show. but there is no marching band or concert band version of it. i f someone could help me find one or compose one for me plz. It would be greatly appreciated.
Hey guys, I’d like someone to make an amazing theme for an upcoming film called Ranger’s Apprentice. If you have read the series, I would recommend doing this as you would know the storyline.
i've been meaning to ask this for a while, but what is patrick doing in the group icon?
If you listen to this score it will be stuck in your head for the rest of the week
and probably fill you w/ memories from your childhood
Love for some feedback por favor & gracias.
I know I do.
If you haven't seen it yet, here is the link to my flute sonata:
I nicknamed it The Haydn Sonata because I am trying to get across a Haydnesque feel to it. I have noticed these things predominant in each composer of the Classical Period Trifecta:
- Haydn: Humor, melodic and harmonic surprises
- Mozart: Alberti bass, effortless grace
- Beethoven: Sheer power, even when the melody is more lyrical
Haydn is the one who inspired me to write this flute sonata. I wrote the sonata exposition in just an hour and this is the first sonata for a duet that actually has a finished exposition.
There are quite a few surprises in my sonata exposition. Here they are:
Bar 5: Sudden entry of the flute and absence of the piano
Bar 6: Sudden reentry of the piano
Bar 10: Short diminuendo, like the theme isn't quite done yet
Bar 11: Short staccato variant of the theme over a syncopated bass
Bar 14: Sudden forte cadence, theme is now finished
Bar 15: Piano dynamic in transition material right after a cadence at forte, sudden absence of the flute
Bar 21: Forte dynamic when transition material is taken up an octave, flute comes back
Bar 26: Piano dynamic yet again, descending trill motive
Bar 41: Very busy texture as the repeat comes closer
Bar 47: Sudden change in texture, sudden dynamic change as it repeats
I'm wondering, is my sonata exposition Haydnesque in its nature? I tried to get a Haydnesque feel to it by being more humorous than serious with the music. Anything impossible for the flutist? Does it feel like a Molto Allegro to you(tempo is at quarter note = 140 BPM)? Or should I just take the Molto off and just have Allegro as my tempo marking?
I have a chair test two weeks from now (I'm forth chair btw) and I am wondering of there is any tips or tricks I need to now before taking the test.
-Edit: There is only one week left before the test.
Mine is my rondo for a sonata collab
can i please join i play saxophone