still, a work in progress need feedback and a name for the piece I'm open to ideas I'm not going to get offended if you say it's not that good
Hey everyone, I am working on rewriting a piece but after opening MuseScore the next morning after working on the piece a bit, I get no sound playback at all. Could someone please help me?
Thanks in advance, Lukas
No made up words
Only one word
In addition to MDL, I think many could agree that MuseScore also needs MFE (MuseScore Front Ensemble), to work in conjuction with MFE as a soundfont. I understand it is hard to get nice sounds on an open-source software, but it would be nice to have. Here are suggestions for the soundfont in mind:
- Marimba (with 3 hardnesses); the marimba sounds a little bit like a toy xylophone with a deeper voice. It doesn't sound very rich.
- Vibraphone (with 3 hardnesses); the vibes don't exactly sound metallic enough
- Xylophone (with 2/3 hardnesses)
- Glockenspiel (with 2 hardnesses)
- Chimes/Tubular bells (with 2 hardnesses); the chime sound isn't round enough and is a bit abrasive in timbre
- Gong (PLEASE)
- Suspended/China cymbals with pre-recorded rolls and hits on different sizes (similar to what VDL does)
And as well, a nice function that could be EXTREMELY useful is the ability to upload samples into a score by mp3 or wav.
Any of my kind present?
I have finished a composition that I plan to hand to the Academy Flute Choir, however I would appreciate any feedback on it before I do so,
i've been meaning to ask this for a while, but what is patrick doing in the group icon?
and probably fill you w/ memories from your childhood
I've been sitting on this group for over a year without really doing anything with it. Its original purpose was to bring together the drum corps community on MuseScore by allowing others to post their own drum corps arrangements. In my original post on this group, I mentioned that I wanted to start a series of competitions that you guys can participate in, and I'm happy to say that I'm going to give a go, starting today!
So, what is the first competition?
I want to start off with something simple: Create a drum corps arrangement for any song that has a color in its name.
Here are the rules:
- Follow typical drum corps format (3 trumpet, 2 mellophone, 3 baritone, 1-2 tuba)
- You don't need to include percussion, but it might increase your chances of winning
- Only submit one arrangement per person!
- Arrangement must be at least 1:30 long, but no more than 5:00
When you're ready to enter, just reply to this post with a link to your arrangement.
So, if you win... what do you actually win? In the future, I hope to offer a month of Musescore Pro to winners. Maybe if enough people show interest? For this first competition, though, I will post the winner's arrangement to my YouTube channel, with a link(s) to whatever you want to advertise. Your YouTube, your Instagram, whatever!
Assuming people actually participate, I plan to end this competition by Monday, 10/21. Have fun!
I need show ideas... please leave ANY ideas along with musical selections if you have any.
Hello world, im new to music composing, From HK.
I'd like to ask for some help on proof reading my writings.
please pm for details
If you want me to add your transcription to this list, comment below and I'll add ASAP!
If you already see a show you've transcribed on the list, don't feel any reason not to comment yours anyways, I'll add it!
▼▼▼▼▼▼▼▼▼ THE ACADEMY ▼▼▼▼▼▼▼▼▼
▻ 2016 - Drum Corpse Bride (TheMTCrew)
▼▼▼▼▼▼▼▼ THE BLUE DEVILS ▼▼▼▼▼▼▼▼
▻ 2017 - Metamorph (DillonReese)
▻ 2017 - Metamorph (NecroDavid2)
▻ 2016 - As Dreams Are Made On (DillonReese)
▻ 2015 - Ink (NecroDavid2)
▻ 2015 - Ink (DillonReese)
▻ 2014 - Felliniesque (TheMTCrew)
▼▼▼▼▼▼▼ THE BLUE KNIGHTS ▼▼▼▼▼▼▼
▻ 2017 - i (TheMTCrew)
▻ 2015 - Because (TheMTCrew)
▼▼▼▼▼▼▼▼ THE BLUECOATS ▼▼▼▼▼▼▼▼
▻ 2018 - Session 44 (DillonReese)
▻ 2017 - Jagged Line (DillonReese)
▻ 2016 - Downside Up (DillonReese)
▻ 2015 - Kinetic Noise (TheMTCrew)
▻ 2014 - Tilt (TheMTCrew)
▻ 2013 - ... To Look For America (Beltalian)
▻ 2012 - Unmasqued (TheMTCrew)
▻ 2011 - Brave New World (TheMTCrew)
▼▼▼▼▼▼ BOSTON CRUSADERS ▼▼▼▼▼▼
▻ 2018 - S.O.S. (TheMTCrew)
▼▼▼▼▼▼▼ CAROLINA CROWN ▼▼▼▼▼▼▼
▻ 2018 - Beast (TheMTCrew)
▻ 2017 - It Is (TheMTCrew)
▻ 2016 - Relentless (TheMTCrew)
▻ 2015 - Inferno (TheMTCrew)
▻ 2015 - Inferno (turand0t)
▻ 2013 - E=MC2 (TheMTCrew)
▻ 2012 - For The Common Good (DillonReese)
▻ 2011 - Rach Star (TheMTCrew)
▼▼▼▼▼▼▼▼▼ THE CADETS ▼▼▼▼▼▼▼▼▼
▻ 2016 - Awakening (TheMTCrew)
▼▼▼▼▼▼▼▼▼ CROSSMEN ▼▼▼▼▼▼▼▼▼
▻ 2017 - Enigma (TheMTCrew)
▻ 2016 - Continuum (TheMTCrew)
▼▼▼▼▼▼▼▼ MADISON SCOUTS ▼▼▼▼▼▼▼
▻ 2011 - New York Morning (TheMTCrew)
▼▼▼▼▼▼▼ PHANTOM REGIMENT▼▼▼▼▼▼▼
▻ 2015 - The City of Light (turand0t)
▼▼▼▼▼▼ SANTA CLARA VANGUARD ▼▼▼▼▼▼
▻ 2018 - Babylon (TheMTCrew)
▻ 2017 - Ouroboros (TheMTCrew)
▻ 2016 - Force of Nature (Score01)
▻ 2014 - Scheherazade: Words 2 Live By (turand0t)
I know I do.
If you haven't seen it yet, here is the link to my flute sonata:
I nicknamed it The Haydn Sonata because I am trying to get across a Haydnesque feel to it. I have noticed these things predominant in each composer of the Classical Period Trifecta:
- Haydn: Humor, melodic and harmonic surprises
- Mozart: Alberti bass, effortless grace
- Beethoven: Sheer power, even when the melody is more lyrical
Haydn is the one who inspired me to write this flute sonata. I wrote the sonata exposition in just an hour and this is the first sonata for a duet that actually has a finished exposition.
There are quite a few surprises in my sonata exposition. Here they are:
Bar 5: Sudden entry of the flute and absence of the piano
Bar 6: Sudden reentry of the piano
Bar 10: Short diminuendo, like the theme isn't quite done yet
Bar 11: Short staccato variant of the theme over a syncopated bass
Bar 14: Sudden forte cadence, theme is now finished
Bar 15: Piano dynamic in transition material right after a cadence at forte, sudden absence of the flute
Bar 21: Forte dynamic when transition material is taken up an octave, flute comes back
Bar 26: Piano dynamic yet again, descending trill motive
Bar 41: Very busy texture as the repeat comes closer
Bar 47: Sudden change in texture, sudden dynamic change as it repeats
I'm wondering, is my sonata exposition Haydnesque in its nature? I tried to get a Haydnesque feel to it by being more humorous than serious with the music. Anything impossible for the flutist? Does it feel like a Molto Allegro to you(tempo is at quarter note = 140 BPM)? Or should I just take the Molto off and just have Allegro as my tempo marking?
Mine is my rondo for a sonata collab
I arrange simple but effective numbers for small drum and bugle corps. I haven't been able to figure out how to upload my scores to "give back" for some of the scores I've downloaded to build on. I'd appreciate any advice
and if you think other wise go jump in a river
Ever wanted to get paid just to write for percussion - all day long?
Do you love technology, internet, social media?
Interested to work in a fast-paced, Rock 'n' Roll environment - literally (company was recently acquired by Ultimate Guitar)?
MuseScore, one of the world’s largest communities for musicians, is looking for a Content Manager - Percussion to join our fast-growing team.
- Chops - DCI/WGI level
- Live to drum, love to write for percussion
- Able to work independently, see an opportunity and act
- Able to create a plan and execute against metrics
- Knowledge of all forms of percussion - drum set, concert percussion, keyboard percussion, with a deep knowledge of marching percussion
- University degree is NOT required - we care more about your practical knowledge, skills, creativity
What You’ll Do:
- Manage all percussion-related content for new premium service
- Convert percussion content from Sibelius, Finale (+VDL) to Musescore
- Manage relationships with percussion composers and arrangers
- Travel to and present at top conferences and events - PASIC, BOA, WGI, DCI, TMEA, etc.
Why Work With Us:
- Get paid well doing something you truly love
- Opportunity to make a major impact in percussion education
- Travel - not only experience life overseas, but regularly return to US for conferences & events
- Opportunity to learn new skills or explore different responsibility on the project. BTW - we have no hierarchy, only responsibilities
- A literal Rock 'n' Roll atmosphere and approach to development
- Beautiful office in the city center and no dress code
- We work differently - 9:00 AM - 3:00 PM
- Breakfast, soup, sandwiches served free throughout the day
- Push a button and get a coffee, tea, coke or even a Jack Daniel’s delivered to your desk
How to Apply:
Interested candidates should simply send a brief email outlining their qualifications/experience (full resume/CV optional) to firstname.lastname@example.org with subject - Content Manager - Percussion.
Candidates should be prepared for a brief 10-15 minute discussion via FaceTime/Google Meet. Understanding that many potential candidates could likely be currently touring, bandcamping, etc., we can be very flexible in accommodating schedule.
P.S. - Job is located in Europe. Candidates should be prepared to relocate, but with frequent travel to US. Relocation expenses covered by company.