This music music has a sense of tragedy with romanticism and a bit of modernism accents.
Of course you will hear one of the most popular classical music progressions (baroque epochs progressions of fifth) but i wanted to do my own version of that progression. Maybe you can relate my piece with someone others... leave your comment i would like to know what others think...
Hello MuseScore DCI community! I have decided to attempt a transcription of the Blue Devils' 2019 show, "Ghostlight"! As I am rather new to this (compared to the likes of /TheMTCrew or /dillonreese), any and all constructive feedback is welcome!
The score can be found here: https://musescore.com/user/177701/scores/5642986
this is the best form of my mary had a little lamb parody (it sounds dumb, but it actually sis one of my better pieces)
Check it out!
I would like to know your opinion about my music, maybe u can give me advice? is there some places where my music sounds "a little bit off" or you saw some mistakes in my score let me know...
So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.
I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.
There are days when I absolutely hate Musescore 3. Sure, it is nice that things get automatically spaced in the score so nothing overlaps, so wow gee wiz, uh, isn't that just how it should be? What I hate is that they seem to have gone out of their way to make things more difficult compared with Musescore 2. They seem to have randomly changed things that didn't need changing just to make it frustrating for the use. It used to be easy to change the volume of a single note or chord in a score. But now, once I finally figure out how to do it, Musescore manages to hide it from me so then I have to start all over trying to find out how to do it again. Why!!!? It used to be easy to see the note in inspector and then modify the volume, but now, where the blazing biscuits is it?? And why is it impossible to find in the manual? Ultimately, there is no advantage to Musescore 3 other than the spacing thing. So, I should do everything in Musescore 2 and then when it is ready to be put online, open it with Musescore 3. Just be sure to give it a different name because once you open it in Musescore 3, they won't let you go back to Musescore 2. Oh, no. Why would they make it **&&**& easy?!!!!! And I paid good money for this kind of frustration????????!