For those who don’t know Polyrhythm is the simultaneous use of two or more conflicting rhythms e.g. triplets at the same time as duplets
For me I can’t wait to be done my piano sonata but I also am excited to compose a concerto for piano and orchestra!
This is a piece that means a lot to me. I started writing it back in late October, inspired by events in my life from the previous few months. I worked very slowly on it, maybe a minute or so every few days, but what it meant to me was quite a lot.
It got halted in November, after just the first 16 bars had been written.
Almost 6 months on from that, I decided to carry on, realising that I could use it as a way to see how I've changed as a composer since then. The short answer is - I haven't. The first melody still came back. The second section represents where I've been in the intervening 6 months, but ultimately I've discovered I'm still the person I was, 10 Months On (from July 2018). I'm pretty happy with that.
I hope you enjoy it. This is not a work intended to be criticised too hard, and I have no plans to edit it. This is just what came to me to write, not something I've slaved over.
That's coming next month...
Hey guys!! :D How are you? ♥ I would like to share my first score with you :D https://musescore.com/user/28725539/scores/5470048 I hope you like it! :3
Have a great day!! Kisses from Argentina! ♥
I play The flute. And I was wondering what piece I should play next… I learned the music really easily I've been playing with it for about 3 1/2 years any recommendations would mean a lot, Thank you!
What's your guy's favorite type of clarinet?
I'm having a moderate struggle to find some beginner and solo sheet music, there probably is a lot, and I'm just searching wrong, so I need some help!
Hi everyone! Now I am a new member of your group! I am a student in Redwood middle school in Saratoga, and I'm in Griffin band. Is there anyone same as me?
Has anyone else had this realization?
This is the final piece that would be heard as part of my Inheritance Cycle pieces of music, a series I am writing as if for a new series of Eragon films. This particular piece would be heard over the final credits, and incorporates a number of previously established themes, as well as the Ra'zac theme, which is a bit of a sneak-peek into what themes I'm working on next.
Find it here:
Also check out my MuseScore account to see Palancar Valley, which gets played in this as well
Hello! I've been playing clarinet for about 3 months now, but I have never quite been able to play in the upper register successfully. If any of you out there could give me some tips, it would be much appreciated!
Edit: Thank you all for your help!
i am working on a piano sonata
I am a clarinet player and honestly I'm interested to hear what other clarinetists favourite parts of music to play are. Personally, I quite enjoy slow and heavy emotional lines (Air for Band is one of my favourite pieces to play for this reason,,)
What are some of your favourite pieces to play?
Hi, my name is Noah (Z. Værum) and i am a composer/clarinetist and i come from Denmark, i've composed a litlle piece for 4 horns, so i hope you like it. If you want to buy it, the link is below ;)
I am seeking advice from ensemble players and/or anyone reasonably experienced with scoring for winds, especially if you have a background in chamber music.
I compose and arrange for piano, strings, and guitar, but I am hoping to expand my horizon and beginning to look into orchestration in general.
I own a grand flute and have a basic understanding of what it can do and how it will sound not as MIDI but in real life. What it can cut through, and what it will only ever-so-slightly color.
By extension albeit to a lesser extent I can claim the same for the piccolo.
However, I have zero experience writing for oboe, clarinet, or bassoon.
The following piece is my very first attempt at balancing all five woodwinds mentioned above, and not just against one another but against five string instruments as well.
Owing to complete inexperience, at first I tried to tackle this by thinking in terms of flute and string quartet, and treating the rest of the players as supporting cast. I have no idea if that's the wisest thing to do, but that's what I know. So it starts off tame and only gradually grows more confident.
The piece is tonal and requires no virtuosity from any of the players. I am not concerned with what's playable and what isn't. I am concerned with balance, texture, and color.
So if the individual parts are unremarkable that's a good thing. My focus is on making them come together to form a cohesive whole. Not on pushing the envelope, but on acquiring an understanding of the basics. There's no point in writing the next Rite of Spring if you can't even orchestrate two bars of a simple waltz.
In brief, I have no idea how any of this will sound on actual instruments, what to look out for, and what not to worry about.
So if something jumps out at you as an experienced ensemble player, by all means do let me know.
If nothing does, all the better.
The runtime is six minutes.
Thank you in advance.