If you're a fan of the popular Hip-Hop Broadway musical Hamilton, then join this discussion! Share anything you want about it.
I recently finished writing a chamber piece for flute, oboe, and harp. I'm hoping to enter it in a competition this fall, so any feedback would be greatly appreciated!
Any of my kind present?
honestly i feel like the flute doesnt have much RESPECT in the woodwind section
I play Bb clarinet what would be the next step up for a Clarinetist?
They sound so good and help everyone else!
Hello MuseScore DCI community! I have decided to attempt a transcription of the Blue Devils' 2019 show, "Ghostlight"! As I am rather new to this (compared to the likes of /TheMTCrew or /dillonreese), any and all constructive feedback is welcome!
The score can be found here: https://musescore.com/user/177701/scores/5642986
this is the best form of my mary had a little lamb parody (it sounds dumb, but it actually sis one of my better pieces)
Check it out!
This is a pep band arrangement of a mary had a little lamb inspired piece (I promise it isn't as stupid as it sounds)
This is a mary had a little lamb inspired piece for pep band. It is not as dumb as it sounds, trust me
Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.
I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.
I'm currently arranging a Panic at the Disco marching band medly. I'm not the best though at percussion though so if someone could help that would be appreciated.
Hey all! I'm going to audition for my local junior orchestra in the fall, and need some advice... here are the requirements:
- A solo or piece of your choosing that fully demonstrates your finest playing, such as a piece you are working on in lessons or a piece you performed with your school
- A classical concerto for your instrument of your choice
- Major scales and arpeggios up to four flats and sharps
- Melodic minor scales and arpeggios up to four sharps and flats
I have the last four down, I just need help finding a solo piece. If any of you have any suggestions, i'm in need!