Is anyone having trouble with MDL crashing everytime they try to input snare line? I put a couple notes of snare, then Muescore completely crashes and DOES NOT save a recovery document. Anybody help?
For those who don’t know Polyrhythm is the simultaneous use of two or more conflicting rhythms e.g. triplets at the same time as duplets
Post epic memes and I will judge them
1=Not even a meme
10=The best meme I have seen
Hey guys!! :D How are you? ♥ I would like to share my first score with you :D https://musescore.com/user/28725539/scores/5470048 I hope you like it! :3
Have a great day!! Kisses from Argentina! ♥
I play The flute. And I was wondering what piece I should play next… I learned the music really easily I've been playing with it for about 3 1/2 years any recommendations would mean a lot, Thank you!
What are we doing here?
I will update this weekly
Group is created today! Woohoo! *confetti and stuff falls from sky*
Eek! I forgot to do this yesterday. The group is already dying, so uhh… :o
@Jaybird1 is one of the first truly active members, I told him I would give him a shoutout here, so here you go :P
I haven't updated this in a while, this group is blowing up now...
Holy cow, this group is blowing up. 8 members in 4 days, wow...
Hmm...Starting to die again...
Welp...I was wrong...
I was very wrong, this group is really blowing up, welp
So I had to kick a member (Indy500) for spamming a link to an unsecure website. Sorry, but spam for no purpose is not tolerated.
On Musescore 3 I'm wondering how to make the crescendo end before the end of the measure as the crescendo seems to only stay on the end of the measure and I cant make it end earlier
Hello! I've been playing clarinet for about 3 months now, but I have never quite been able to play in the upper register successfully. If any of you out there could give me some tips, it would be much appreciated!
Edit: Thank you all for your help!
Does anyone know a way to get a good sounding suspended cymbal roll in Musescore? I've tried almost everything and it all sounds like garbage lol. Any help or tips would be greatly appreciated!
i am working on a piano sonata
i uploaded a few new pieces and i cant seem to get the drumline sounds to play. Other instruments sound fine
here's another #MusescoreMonday release from us. This time it's odd time rudimental warming up.
Check it out and let us know what you think!
here's another #MusescoreMonday release from us.
This time it's odd time rudimental warming up.
Check it out and let us know what you think!
Hi, my name is Noah (Z. Værum) and i am a composer/clarinetist and i come from Denmark, i've composed a litlle piece for 4 horns, so i hope you like it. If you want to buy it, the link is below ;)
I am seeking advice from ensemble players and/or anyone reasonably experienced with scoring for winds, especially if you have a background in chamber music.
I compose and arrange for piano, strings, and guitar, but I am hoping to expand my horizon and beginning to look into orchestration in general.
I own a grand flute and have a basic understanding of what it can do and how it will sound not as MIDI but in real life. What it can cut through, and what it will only ever-so-slightly color.
By extension albeit to a lesser extent I can claim the same for the piccolo.
However, I have zero experience writing for oboe, clarinet, or bassoon.
The following piece is my very first attempt at balancing all five woodwinds mentioned above, and not just against one another but against five string instruments as well.
Owing to complete inexperience, at first I tried to tackle this by thinking in terms of flute and string quartet, and treating the rest of the players as supporting cast. I have no idea if that's the wisest thing to do, but that's what I know. So it starts off tame and only gradually grows more confident.
The piece is tonal and requires no virtuosity from any of the players. I am not concerned with what's playable and what isn't. I am concerned with balance, texture, and color.
So if the individual parts are unremarkable that's a good thing. My focus is on making them come together to form a cohesive whole. Not on pushing the envelope, but on acquiring an understanding of the basics. There's no point in writing the next Rite of Spring if you can't even orchestrate two bars of a simple waltz.
In brief, I have no idea how any of this will sound on actual instruments, what to look out for, and what not to worry about.
So if something jumps out at you as an experienced ensemble player, by all means do let me know.
If nothing does, all the better.
The runtime is six minutes.
Thank you in advance.